文化藝術人物 / Cultural figure

袁秋楓

大字係領域(由已登記職業/領域派生),唔係姓氏。

Yuan Qiufeng

1924年–

領域:藝術家 · 作家與觀點論述者

繁體中文

袁秋楓(1924–)安徽廬江人,在哈爾濱出生。他在北京中國大學政經系畢業後曾當戰時記者。1950年他赴港繼續任職報社,餘暇寫小說,其後轉職電影副導演,跟隨馬徐維邦工作。他曾為馬徐維邦導演的廈語片《紅拂女》(1956)及《卞胭脂》(1957)任編劇。他導演的首作為廈語片《荒江女俠》(1956),其後拍過二十多部廈語片,包括《馬來娘惹》(1959)、《野赤查某戇男子》(1959)、《新加坡小姐》(1959)等,另拍過一部潮語片《蔣興哥休妻》(1960)。1959年他加入邵氏兄弟(香港)有限公司,拍下《永記我心頭》(1960)、《33號女間諜》(1961)等廈語片,以及《風塵奇女子》(1960)、《血灑黑龍街》(1961)等粵語片。馬徐維邦的遺作《毒蟒情鴛》(1961)亦由他擔任編劇。之後他轉導國語片,先有馬徐維邦去世前新編的《夜半歌聲》(上、下集,1962–63),後有妻子易凡編劇的《紅樓夢》(1962)、《黑森林》(1964)、《山歌姻緣》(1965)等。1964年他轉投國際電影懋業有限公司(後改組為國泰機構〔香港〕〔一九六五〕有限公司),第一部影片為《嫦娥奔月》(1966),此後完成七部電影,包括雕琢經年的鉅片《亂世兒女》(1966)。其後他夥同雷震、樂蒂兩兄妹成立金鷹電影製片企業公司,執導《風塵客》(1968)、《快劍》(1969)等武俠片,最後一部導演作品為金鷹出品的國語片《斷魂刀》(與凌雲合導,1970)。十多年導演生涯中,他共執導五十多部電影。1970年他應邵氏邀請接任原先由鄒文懷擔任的製片經理一職,三年後退出影壇,轉營出版業。

English

Yuan Qiu-feng, a native of Lujiang in Anhui, was born in Harbin. After graduating in political economy from China University in Beijing he worked as a war correspondent; in 1950 he moved to Hong Kong to work for a newspaper and wrote fiction in his spare time, then became an assistant director under Ma-Xu Weibang. He wrote the scripts for Ma-Xu's Amoy-dialect films The Red Whisk Girl (1956) and a 1957 title, and directed his first Amoy picture, A Heroine of the Wilderness (1956). He went on to make more than twenty Amoy-dialect films, among them Malay Nyonya (1959) and Singapore Miss (1959), as well as one Teochew film in 1960. Joining Shaw Brothers in 1959, he made further Amoy and Cantonese pictures, and wrote the screenplay for Ma-Xu's posthumous release of 1961. He then turned to Mandarin films — first a two-part Song at Midnight (1962–63) begun by Ma-Xu, then a Dream of the Red Chamber (1962) and others written by his wife Yi Fan. In 1964 he moved to MP & GI, later Cathay, where his first film was a 1966 release and where he completed seven pictures, including an elaborately crafted 1966 epic. He later formed Golden Eagle with the siblings Lei Chen and Betty Loh Ti, directing swordplay films in 1968 and 1969; his last directing job was a 1970 Mandarin picture co-directed with Ling Yun. In a decade and more he directed over fifty films. In 1970 Shaw invited him to take over the production-manager post previously held by Raymond Chow; three years later he left the industry for publishing.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1924年–

代表作Notable works

《紅拂女》《卞胭脂》《荒江女俠》《馬來娘惹》《夜半歌聲》《亂世兒女》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1956

執導首部影片,廈語片《荒江女俠》

Directed his first film, the Amoy-dialect picture A Heroine of the Wilderness

1959

加入邵氏兄弟(香港)有限公司任導演

Joined Shaw Brothers (Hong Kong) as a director

1970

應邵氏邀請接任製片經理,該職先前由鄒文懷擔任

Was invited by Shaw Brothers to take over the production-manager post previously held by Raymond Chow

影響與傳承 Impact & Legacy

繁體中文

袁秋楓是1950年代廈語片產量最多的導演之一,其後轉拍國語片,涉獵文藝、武俠與史詩類型,又曾任邵氏製片經理;他的《亂世兒女》等片為1960年代香港片廠製作留下規模宏大的代表作。

English

One of the most prolific directors of 1950s Amoy-dialect cinema, Yuan moved into Mandarin pictures spanning drama, swordplay and epic spectacle and later served as Shaw Brothers' production manager; his ambition-laden 1966 epic stands as a large-scale example of 1960s studio filmmaking.

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