文化藝術人物 / Cultural figure

葉逸芳

大字係領域(由已登記職業/領域派生),唔係姓氏。

Yip Yut Fong

1913年–2002年

領域:藝術家 · 作家與觀點論述者

繁體中文

葉逸芳原名葉信卿,祖籍寧波,幼年遷居上海,求學時已熱衷文字創作。1929年起他參與報刊的編採工作,因而認識影業界人士,其後以筆名「葉逸芳」投身影評。他十九歲進入藝華影片公司任職宣傳。抗戰爆發後他離開公司,到東戰場戰地服務隊參與抗日,之後在朋友介紹下進入中國電影製片廠工作。1938年他南下香港,短暫逗留後返滬,重投藝華,開始從事編劇,首作為《刺秦王》(1940),繼而寫下《三笑》(1940)、《千里送京娘》(1940)、《紅蝴蝶》(1941)、《奇女子》(1942)等。日本人把各製片廠合併為中華電影股份有限公司後,他不願為敵偽政權辦事而退出影壇,轉營小買賣。戰後他重返影圈擔任宣傳,其後自組新時代影片公司,出品《處處聞啼鳥》(1947),賣座優異,續推出《六二六間諜網》(1948)、《夜來風雨聲》(1949),又另組五華影片公司攝製《斷腸相思》(1948)等,各片均自任編劇,期間亦寫下《海上英雄》(1948)、《風流寶鑑》(1949)的劇本。五十年代他曾遭政治批鬥,1956年獲批准移居香港。1958年他應朱石麟邀請加盟鳳凰影業公司,參與編寫《小月亮》(1959)、《審妻》(1966),同時出任長城電影製片有限公司的宣傳主任,並以筆名「易方」編寫《迷魂阱》(1961)、《糊塗姻緣》(1962)、《甜言蜜語》(1962)、《龍鳳呈祥》(1964)等劇本。1967年他轉投邵氏兄弟(香港)有限公司,持續撰寫劇本至1973年離職,作品包括武俠片《玉羅剎》(1968)、《金衣大俠》(1970)、喜劇片《噴火美人魚》(1970)與愛情片《芳華虛度》(1971),尤以《愛情的代價》(1970)著稱。他亦曾自編自導《花月良宵》(1942)、《三百六十行》(1949),並以筆名「葉舫」填詞,其為《六二六間諜網》所寫、由白光主唱的〈假正經〉廣為流傳。他晚年隨兒子定居泰國,2002年8月病逝。

English

Yip Yut-fong, born Ye Xinqing, had roots in Ningbo and moved to Shanghai as a child, where he developed an early passion for writing. From 1929 he worked in newspaper and magazine editorial offices, meeting people in the film industry, and began writing film criticism under the pen name Yip Yut-fong. At nineteen he joined Yihua Film Company in a publicity role. After the war with Japan broke out he left, served in an eastern-front support corps, and later joined the China Film Studio. He moved to Hong Kong in 1938, returned briefly to Shanghai and rejoined Yihua, beginning his screenwriting career with The Assassination of the King of Qin (1940), followed by works such as A Witty Match (1940) and The Red Butterfly (1941). Refusing to serve the Japanese-run China United studio, he left film and ran a small business. After the war he returned to publicity, then founded New Era Film Company, whose Where the Orioles Sing (1947) was a hit, and later Wuhua Film Company. Barred by political persecution, he was allowed to move to Hong Kong in 1956 and joined Feng Huang in 1958 at Zhu Shilin's invitation, also serving as publicity chief at Great Wall and writing under the pen name Yi Fang. He moved to Shaw Brothers in 1967, writing until 1973, covering martial-arts, comedy and romance films. He also directed and wrote lyrics, his song for a 1948 spy film becoming a well-known number sung by Bai Guang. He settled in Thailand with his son and died in August 2002.

人物小檔 Profile

職業Occupation

編劇、導演、宣傳

年期Active period

1913年–2002年

代表作Notable works

《刺秦王》《三笑》《千里送京娘》《紅蝴蝶》《奇女子》《處處聞啼鳥》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1940

以《刺秦王》展開編劇生涯,其後陸續寫下《三笑》、《千里送京娘》等劇本。

Began his screenwriting career with The Assassination of the King of Qin (1940), followed by A Witty Match and other scripts.

1947

自組新時代影片公司,出品《處處聞啼鳥》,賣座優異,成為其製片代表作。

Founded New Era Film Company and produced the hit Where the Orioles Sing (1947).

1958

應朱石麟邀請加盟鳳凰影業公司,參與編寫《小月亮》等片,並出任長城宣傳主任。

Joined Feng Huang Motion Picture Co. in 1958 at Zhu Shilin's invitation, co-writing such films as The Precious Little Moon, while heading publicity at Great Wall.

影響與傳承 Impact & Legacy

繁體中文

葉逸芳橫跨上海與香港兩個影業階段,既寫劇本、填歌詞,也長於宣傳與製片,是少數貫通創作與發行的人才。他為《六二六間諜網》所填的〈假正經〉,成為白光傳唱一時的代表曲。他在五十年代後把上海的編劇經驗帶到香港,為鳳凰、長城與邵氏等公司供稿,延續了南北影人交融的脈絡。

English

Bridging the Shanghai and Hong Kong phases of Chinese cinema, Yip Yut-fong wrote scripts and lyrics and excelled in publicity and production, one of the few talents fluent across creation and distribution. The lyric he wrote for a 1948 spy film became a signature number for Bai Guang. After the 1950s he carried Shanghai screenwriting experience to Hong Kong, supplying Feng Huang, Great Wall and Shaw Brothers and sustaining the exchange between northern and southern filmmakers.

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