文化藝術人物 / Cultural figure

姚敏

大字係界別(由已登記職業/領域派生),唔係姓氏。

Yao Min

1917年–1967年

繁體中文

姚敏原名姚振民,1917年生於上海,童年家境小康,喜愛流連大世界遊樂場,鑽研地方戲曲。父親去世後,佢當過數年海員,因而對西方流行音樂產生濃厚興趣。三十年代末佢返回上海,同妹妹姚英、姚莉組成「大同社」,喺多家電台承辦自演嘅歌唱節目,甚受歡迎;又曾喺張善琨大世界嘅齊天舞台任小型樂隊領班,負責部分「連台京戲」。佢除自學多種樂器彈奏同作曲,日後更拜日本作曲家服部良一為師。1938年佢加盟上海百代唱片公司,1939年進入國華影片公司負責影片作曲,第一部作品係周璇主演嘅《解語花》(1941)。抗戰時期佢嘅音樂事業一度中斷,戰後作曲數量極多,唱片風行全國同東南亞。1950年佢來港,喺麗的呼聲從事播音工作;1952年百代唱片公司喺香港成立辦事處,佢獲聘主持作曲部門。1954年佢為王引導演嘅《風流兒女風流債》首次同時負責電影作曲同配樂,1955年為邵氏父子出品、李香蘭主演嘅《金瓶梅》作插曲。佢為《戀之火》(1956)所作嘅插曲〈第二春〉,更被荷里活電影《蘇絲黃的世界》(The World of Suzie Wong, 1960)改編成街知巷聞嘅〈叮噹歌〉。佢為國際電影懋業(電懋)寫咗唔少好歌,如《曼波女郎》(1957)、《龍翔鳳舞》(1959,獲第六屆亞洲電影節最佳音樂銀鑼獎)、《野玫瑰之戀》(1960)、《桃李爭春》(1962)等片中嘅插曲;邵氏作品《千嬌百媚》(1961)則獲第八屆亞洲電影節最佳音樂金禾獎同第一屆台灣金馬獎最佳音樂。1967年3月30日佢因急病去世。

English

Yao Min, born Yao Zhenmin in Shanghai in 1917, came from a comfortably-off family and spent his childhood at the Great World amusement park absorbing local opera. After his father's death he spent several years as a sailor, which sparked an interest in Western popular music. Returning to Shanghai in the late 1930s, he formed a performing group with his sisters Yao Ying and Yao Li, running their own song programmes on several radio stations, and led a small band at the Great World's Qitian stage, where he produced part of a serial Peking opera. Largely self-taught on several instruments and in composition, he later studied under the Japanese composer Ryoichi Hattori. He joined Pathé's Shanghai studio in 1938 and entered the Guohua Film Company in 1939 as a film composer, his first score being for a 1941 Zhou Xuan vehicle. His career was interrupted by the war, but afterwards he composed prolifically and his records were popular across China and Southeast Asia. He came to Hong Kong in 1950 and worked in radio, joining Pathé when it opened a Hong Kong office in 1952 to head its composition department. In 1954 he first handled both score and soundtrack for a Wang Yin film, and in 1955 wrote songs for a Shaw production starring Li Xianglan. An interlude he wrote for a 1956 film was adapted into the famous 'Ding Dong Song' for the Hollywood picture The World of Suzie Wong (1960). He wrote many songs for Motion Picture and General Investment films, including the 1959 musical that won Best Music at the 6th Asian Film Festival, while his Shaw score for Les Belles (1961) won Best Music at the 8th Asian Film Festival and the first Golden Horse Award for Best Music. He died suddenly in March 1967.

人物小檔 Profile

職業Occupation

音樂

年期Active period

1917年–1967年

代表作Notable works

《解語花》《風流兒女風流債》《金瓶梅》《戀之火》《曼波女郎》《千嬌百媚》

獎項及榮譽Awards & honours

第6屆亞洲影展最佳音樂(《龍翔鳳舞》,1959)、第1屆台灣金馬獎最佳音樂(《千嬌百媚》,1961)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1938

加盟上海百代唱片公司

Joined the Pathé record company in Shanghai

1941

首度為電影《解語花》作曲

Made his film-composing debut on a 1941 picture

1961

憑《千嬌百媚》獲第1屆台灣金馬獎最佳音樂

Won the first Golden Horse Award for Best Music for Les Belles

影響與傳承 Impact & Legacy

繁體中文

姚敏係國語時代曲黃金年代嘅首席作曲家,作品風行全國同東南亞。佢由《解語花》到《千嬌百媚》,把西方流行音樂同中國旋律熔為一爐,屢獲亞洲影展同金馬獎音樂獎,對華語電影歌曲同流行曲影響深遠。

English

One of the foremost composers of the golden age of Mandarin popular song, Yao had hits across China and Southeast Asia. From Flower of Understanding to Les Belles, he fused Western popular music with Chinese melody, collecting Asian Film Festival and Golden Horse music prizes, and left a lasting mark on Chinese-language film songs and pop.

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