文化藝術人物 / Cultural figure

溫嘉文

大字係領域(由已登記職業/領域派生),唔係姓氏。

Won Kar Man

1948–

領域:藝術家

繁體中文

溫嘉文(Won Kar Man,1948年生),祖籍廣東台山,在越南出生,係越南華僑,1971年隨家人移居香港,早年任職於《四海週報》出版社。1978年,許鞍華為香港電台執導電視劇《來客》(The Boy from Vietnam),他既參與演出,亦協助幕後聯絡工作,這是他日後轉入電影製作的契機。隨後他加入影圈,首部參與製作的電影為《投奔怒海》(1982),擔任顧問及劇務。此後他參與《師爸》(1980)、《撞到正》(1980)、《打雀英雄傳》(1981)、《怕醜仔》(1983)等片的攝製,分別出任劇務、場記及製片,其間又擔任《忌廉溝鮮奶》(1981)、《第一次》(1983)及《愛情麥芽糖》(1984)的副導演。1984年他加入新藝城,曾任《靈氣迫人》(1984)及《恭喜發財》(1985)的執行製片,負責拍攝進度、預算與場地等統籌事務;其後獲晉升為製片,先後參與《何必有我?》(1985)、《英雄本色》(1986)及《飛躍羚羊》(1986)的製作,亦是《英雄正傳》(1986)的統籌。他後來轉投徐克與施南生創辦的電影工作室,該公司多部電影均由他擔任製片經理,包括《倩女幽魂》(1987)、《英雄本色Ⅱ》(1987)、《大丈夫日記》(1988)、《城市特警》(1988)及《鐵甲無敵瑪利亞》(1988),最後參與的製作是《笑傲江湖》(1990)及《棋王》(1992)。九十年代他淡出影圈轉而從商,曾回越南從事錄影帶攝製及影視配音,退休後仍協助社福機構推廣微電影。他自1978年投身影圈,到1992年最後一部參與的作品,前後約十四年。

English

Won Kar-man was born in 1948 into a family from Taishan, Guangdong, and came to Hong Kong in 1971 as an overseas Chinese from Vietnam, having first worked for the publishing house of Four Seas Weekly. In 1978 he both acted in and handled backstage liaison for a television drama directed by Ann Hui for Radio Television Hong Kong, and he then entered the film industry, his first film assignment being Boat People (1982), on which he served as consultant and production assistant. He worked on films of the early 1980s in the roles of production assistant, continuity assistant and producer, and was assistant director on several pictures. Joining Cinema City in 1984, he was an associate production manager on The Occupant (1984) and Kung Hei Fat Choy (1985), handling scheduling, budgeting and logistics, before being promoted to producer, taking charge of the production of Why Me? (1985), A Better Tomorrow (1986) and United We Stand (1986); he was also the production coordinator of True Colours (1986). He later moved to Film Workshop, the company founded by Tsui Hark and Nansun Shi, where he was production manager on a run of films including A Chinese Ghost Story (1987), A Better Tomorrow II (1987), The Diary of a Big Man (1988), The Big Heat (1988), I Love Maria (1988), Swordsman (1990) and King of Chess (1992). He left the film industry in the 1990s to go into business, returning to Vietnam for video production and dubbing, and later helped social-service bodies promote micro-film making.

人物小檔 Profile

職業Occupation

製片、副導演

年期Active period

1948–

代表作Notable works

《英雄本色》(1986)、《倩女幽魂》(1987)、《笑傲江湖》(1990)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1982

首部參與製作的電影《投奔怒海》上映,任顧問及劇務

His first film credit came on Boat People (1982), as consultant and production assistant.

1986

在新藝城任《英雄本色》的製片

Served as a producer on A Better Tomorrow at Cinema City in 1986.

1990

參與電影工作室《笑傲江湖》的製作

Worked on Film Workshop's Swordsman in 1990.

影響與傳承 Impact & Legacy

繁體中文

溫嘉文長期在幕後負責製片與統籌工作,橫跨新藝城與電影工作室兩個時期,參與《英雄本色》、《倩女幽魂》、《笑傲江湖》等片的製作管理,是1980年代香港電影講求效率的製片流程中,依靠的執行型製片人員。

English

Won worked behind the scenes as a production manager across Cinema City and Film Workshop, handling the logistics of films such as A Better Tomorrow, A Chinese Ghost Story and Swordsman. Such producers were central to the fast, tightly scheduled production model of 1980s Hong Kong cinema.

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