文化藝術人物 / Cultural figure

王純

大字係領域(由已登記職業/領域派生),唔係姓氏。

Wang Shun

1950年代–1970年代

領域:作家與觀點論述者

繁體中文

王純原名王孝純,廣東澄海人,生年不詳,2001年在美國病逝。他擅奏二胡,對漢劇音樂與潮州音樂素有研究,戰後來港,1950年代開始投身電影音樂工作,曾為唐滌生編導的粵語片《漢武帝夢會衞夫人》(1954)擔任拍和。1958年起,他的電影配樂工作橫跨國語、廈語與潮語三界。國語片方面,他為邵氏多部國語黃梅調電影作曲配樂,先後憑《貂蟬》(1958)及《江山美人》(1959)奪得第五屆亞洲電影節最佳音樂金禾獎與第六屆亞洲電影節最佳音樂金鑼獎,其後作品包括《楊貴妃》(1962)、《武則天》(1963)、《玉堂春》及《王昭君》(同為1964)。廈語片方面,他首部作品為小娟(即凌波)與莊雪芳合演的《番婆弄》(1958),其後為《真心真愛》(1959)、《廣告美人》(1959)、《假鳳虛凰》(1959)、《春香鬧學》(1960)、《潘金蓮》(1963)等配樂。潮語片方面,他在1958年為新聲影業的《剪月蓉》、《薄命花》、《雙玉魚》作曲,其後為青山影業的時裝潮語片《潮州嫂》(1963)作曲。1963年他參與創辦聯友製片公司,自任製片,出品《紅鬃烈馬》(兼任監製)、《狀元巡更》(同為1963)、《雙起解》(兼任編劇,1965)、《火燒碧雲宮》及《海瑞罷官》(同為1967),並為《仙姬送子》(1963)、《元宵案》(1964)編劇。1969年新天彩潮劇團赴新加坡演出,他與黃君碩、陳有木同任顧問。他亦長期參與香港潮商互助社的音樂推廣,曾任該社1961至65年度常務理事。1970年代他移居美國,2001年3月病逝。

English

Wang Shun, whose original name was Wang Xiaoshun, was a native of Chenghai, Guangdong; his year of birth is unknown. An adept erhu player with a deep knowledge of Han opera and Chaozhou music, he settled in Hong Kong after the war and began writing film music in the 1950s, first playing accompaniment for Tong Tik-sang's Cantonese film The Dream Encounter Between Emperor Wu of Han and Lady Wai (1954). From 1958 he worked across Mandarin, Amoy-dialect and Chaozhou-dialect cinema. For Shaw Brothers he composed and arranged music for a series of Mandarin huangmei diao pictures, winning the Asian Film Festival's Best Music awards for Diau Charn (1958) and The Kingdom and the Beauty (1959); later Shaw titles included Yang Kwei-fei (1962), Empress Wu Tse-tien (1963), The Story of Sue San and Beyond the Great Wall (both 1964). His first Amoy-dialect work was Shrews from Afar (1958), starring Xiao Juan (Ivy Ling Po) and Chong Sit Fong, followed by titles such as True Love (1959), Advertisement Beauty (1959), The Fake Phoenix (1959), Spring Fragrance (1960) and Lotus Pan (1963) and the Chaozhou fashion film Sister-in-law of Chaozhou (1963). In 1963 he co-founded United Motion Picture Production Co., producing films including The Red-Haired Steed and The Top Scholar on Patrol (both 1963), Mantrap (1965) and The Execution (1967), and writing screenplays for Fairy and Man (1963) and The Murder Case During the Lantern Festival (1964). In 1969, when the Xintiancai troupe toured Singapore, he served as an adviser. Active in music promotion through the Hong Kong Chiu Chow Merchants Mutual Assistance Society, where he was an executive director from 1961 to 1965, he emigrated to the United States in the 1970s and died there in March 2001.

人物小檔 Profile

職業Occupation

作曲、製片、編劇

年期Active period

1950年代–1970年代

代表作Notable works

《貂蟬》《江山美人》《楊貴妃》《武則天》《紅鬃烈馬》《海瑞罷官》

獎項及榮譽Awards & honours

亞洲影展最佳音樂金禾獎(《貂蟬》,1958);亞洲影展最佳音樂金鑼獎(《江山美人》,1959)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1958

為邵氏黃梅調電影《貂蟬》作曲配樂,獲亞洲影展最佳音樂金禾獎。

Composed and arranged the music for Shaw's huangmei diao film Diau Charn, winning the Asian Film Festival's Best Music award.

1959

憑《江山美人》獲亞洲影展最佳音樂金鑼獎。

Won the Asian Film Festival's Best Music award for The Kingdom and the Beauty.

1963

參與創辦聯友製片公司,自任製片,出品《紅鬃烈馬》、《狀元巡更》等潮語片。

Co-founded United Motion Picture Production Co. and served as its producer, releasing Chaozhou films such as The Red-Haired Steed and The Top Scholar on Patrol.

影響與傳承 Impact & Legacy

繁體中文

王純是香港黃梅調電影音樂的重要推手,他為邵氏《貂蟬》與《江山美人》所作的曲調接連在亞洲影展獲獎,把黃梅調推向高峰;他同時涉足廈語與潮語片,並創辦聯友製片公司自行出品,反映其跨方言、跨崗位的製作能量。

English

Wang Shun helped shape the music of Hong Kong's huangmei diao films, and his scores for Shaw's Diau Charn and The Kingdom and the Beauty won back-to-back Best Music honours at the Asian Film Festival. Working across Mandarin, Amoy and Chaozhou pictures, and later producing his own Chaozhou films, he embodied the mobility of the territory's film craftsmen.

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