文化藝術人物 / Cultural figure

屠光啟

大字係領域(由已登記職業/領域派生),唔係姓氏。

Tu Guangqi

1914年–1980年

領域:藝術家 · 作家與觀點論述者

繁體中文

屠光啟原名屠廣圻,浙江紹興人,1914年8月26日出生,畢業於南京國立戲劇學校第一期。1937年他參與上海劇藝社,在幕前演過《花濺淚》、《日出》等話劇;1939年首次演出電影,參演上海華成影片公司的古裝片《葛嫩娘》(又名《明末遺恨》)。其後他成為朱石麟的副導演,並與對方聯合編導《孟麗君》(1940)。不久他獨立執導《新漁光曲》(1941),獲得好評,上海孤島時期曾為中華電影聯合股份有限公司拍攝《儂本痴情》(1943)等片,戰後更拍出賣座的《天字第一號》(1946)。1949年來港後,他先後在邵氏、新華、永華、電懋、國泰等公司任導演。五十年代初他是邵氏父子有限公司的重要導演,以文藝片為主,作品包括《出海雲霞》(1950)、《摩登太太》(1951)、《歌女紅菱艷》(1953)、《新西廂記》(1953)、《閨房樂》(1953),自編自導的有《孽海情天》(1953)、《風蕭蕭》(1954)、《戀愛與義務》(1955)、《鳳求凰》(1958)等,亦為其他公司執導《月兒彎彎照九州》(1952)、《小鳳仙》(1953)、《秋瑾》(1953)、《半下流社會》(1957)。六十年代他涉足武俠片,拍下《青城十九俠》(1960)、《古墓俠侶》(1961);1967年轉投國泰機構,執導《第一劍》(1967)、《蓮花寨》(1969)、《壯士血》(1970)等。他亦拍過粵語片《蘭閨淚影》(1964)、《流浪小天使》(1964)與潮語片《美人蟹》(1964)、《四告狀》(1964),一生執導電影逾八十部,最後一部導作為《唐手跆拳道》(1972)。晚年曾在胡金銓《忠烈圖》(1975)客串演出。他同時是武俠小說作家,1973年到美國定居,翌年開始在《大成》雜誌發表回憶錄,1980年5月30日病逝於洛杉磯。

English

Tu Guangqi, originally named Tu Guangqi, was born in Shaoxing, Zhejiang on 26 August 1914 and graduated in the first class of the National Drama School in Nanjing. In 1937 he joined the Shanghai Theatre Society, acting on stage in A Spray of Tears and Sunrise, and in 1939 he made his screen debut in Ge Nen Niang, a period film (also known as The Last Grief of the Ming) by the Shanghai Huacheng company. He later became an assistant director to Zhu Shilin, with whom he co-directed Meng Lijun (1940), and then directed New Fisherman's Song (1941) on his own, winning favourable notices. During Shanghai's 'orphan island' period he made other films for the China United Production company, and after the war he scored a major hit with the thriller The Number One (1946). Moving to Hong Kong in 1949, he directed for Shaw, Xinhua, Yonghua, MP & GI and Cathay. In the early 1950s he was a key director at Shaw and Sons, specialising in melodramas that he frequently wrote, including Modern Madame (1951), Songstress (1953), A New Romance of the Western Chamber (1953) and The Story of Qiu Jin (1953), and he also directed for other studios. He moved into martial-arts pictures in the 1960s, and after joining Cathay in 1967 directed The First Sword (1967), Lotus Camp (1969) and Warriors' Blood (1970). Besides Cantonese and Chaozhou-dialect films, he directed more than eighty pictures in all, his last being Crush (1972), and took a cameo in King Hu's The Valiant Ones (1975). A martial-arts novelist as well as a filmmaker, he settled in the United States in 1973, began publishing his memoirs in the magazine Dacheng in 1974, and died in Los Angeles on 30 May 1980.

人物小檔 Profile

職業Occupation

導演、編劇、演員

年期Active period

1914年–1980年

代表作Notable works

《孟麗君》《新漁光曲》《天字第一號》《歌女紅菱艷》《鳳求凰》《秋瑾》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1940

與朱石麟聯合編導《孟麗君》。

Co-directed Meng Lijun with Zhu Shilin.

1946

執導《天字第一號》,在上海叫好叫座。

Directed The Number One, a critical and commercial success in Shanghai.

1949

移居香港,先後為邵氏、電懋、國泰等公司執導,一生作品逾80部。

Moved to Hong Kong and directed for Shaw, MP & GI and Cathay, making more than eighty films in all.

影響與傳承 Impact & Legacy

繁體中文

屠光啟是上海來港電影人中的多產導演,從話劇與文藝片起家,戰後以《天字第一號》成名,來港後為邵氏、電懋、國泰等公司執導逾80部影片,橫跨文藝、武俠及不同方言電影,是戰後香港片廠制度下的重要支柱。

English

Tu Guangqi was among the prolific Shanghai-trained directors who anchored Hong Kong's studio system after 1949, making more than eighty films for Shaw, MP & GI and Cathay across melodrama, martial-arts and dialect cinema. His post-war hit The Number One (1946) had already shown his commercial instinct before he moved south.

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