文化藝術人物 / Cultural figure

周國忠

大字係領域(由已登記職業/領域派生),唔係姓氏。

Tony Chow Kwok Chung

1941年–

領域:藝術家

繁體中文

周國忠是廣東人,在香港出生。他的父親周達權戰前是電影收音師,後來轉職影片沖印,並開設兩間沖印公司。1961年周國忠工專畢業後,加入父親的萬福電機沖印公司工作,因為經常看到剪接師在黑房剪片,對電影剪接產生興趣。六十年代末他開始從事剪接,首作為《特警勇戰黃金豹》(1970),除本地製作外也剪接台灣和印尼電影。麥嘉首次執導《一枝光棍走天涯》(1976)便邀請他擔任剪接,此後合作無間,由嘉寶、先鋒到奮鬥影業的出品《老虎田雞》(1978)、《搏命單刀奪命槍》(1979)、《鹹魚番生》(1980)等均由他操刀;期間他也替其他公司剪接《無招勝有招》(1979)、《天堂夢》(1980)等。1980年新藝城創立後,他出任剪接師,一年後成為全職員工,截至1985年該公司電影幾乎全部由他剪接,包括《滑稽時代》(1980)、《追女仔》(1981)、《最佳拍檔》(1982)、《我愛夜來香》(1983)、《開心鬼》(1984)等;他先後憑《鬼馬智多星》(1981)獲第18屆台灣金馬獎最佳剪接,憑《夜驚魂》(1982)獲第二屆香港電影金像獎最佳剪接。1985年他協助新藝城購入光藝錄音室,易名新藝錄音室,肩負統籌配音、沖印等後期職務,獲晉升為後期製作經理,期間不具名參與剪接的《龍虎風雲》(1987)獲第32屆亞太影展最佳剪接。他曾與幾位新晉剪接師和黑房助理組成「新藝城剪接組」,參與剪輯《倩女幽魂》(1986)等,效力至該公司解散。1989年他與周潤發、林嶺東合組銀獎製作有限公司,出品《伴我闖天涯》(1989)、《勇闖天下》(1990)、《俠盜高飛》(1992)等。他亦投資開設聲藝錄音室和晶藝字幕公司,並在2000年合併為聲藝影視後期製作公司,曾聯合出品《老夫子動畫大電影:反斗偵探》(2003),公司於2011年結束。退休後他出任多項公職,包括香港電影金像獎協會董事局司庫、香港電影後期專業人員協會執委會會長等。

English

Tony Chow Kwok-chung was born in Hong Kong to a Guangdong family. His father, Chow Tat-kuen, worked as a film sound recordist before moving into film processing and running two laboratories. After graduating from a technical college in 1961, Chow joined his father's Man Fuk electrical processing firm, where watching editors cut film in the darkroom sparked his interest in editing. He began editing in the late 1960s, his first credit being the 1970 film Death Comes in Two Faces, and he also cut Taiwanese and Indonesian productions. When Karl Maka made his directorial debut in 1976 he invited Chow to edit, beginning a long partnership that ran through a string of late-1970s Golden Harvest-era hits. Joining Cinema City in 1980 and becoming a full-time editor a year later, he cut almost all of its films up to 1985, including Aces Go Places (1982) and All the Wrong Spies (1983). He won Best Editing at the 18th Golden Horse Awards for All the Wrong Clues (1981) and at the 2nd Hong Kong Film Awards for He Lives by Night (1983). He helped Cinema City buy the Kong Ngai recording studio in 1985, heading post-production, and was credited anonymously on City on Fire (1987), which won Best Editing at the 32nd Asia-Pacific Film Festival. He co-founded the Silver Medal production company with Chow Yun-fat and Ringo Lam in 1989 and later ran Sound Art post-production, merged in 2000.

人物小檔 Profile

職業Occupation

剪接、監製、後期製作

年期Active period

1941年–

代表作Notable works

《特警勇戰黃金豹》《一枝光棍走天涯》《老虎田雞》《搏命單刀奪命槍》《鹹魚番生》《無招勝有招》

獎項及榮譽Awards & honours

1981年憑《鬼馬智多星》獲第18屆台灣金馬獎最佳剪接;1983年憑《夜驚魂》獲第2屆香港電影金像獎最佳剪接;《龍虎風雲》獲第32屆亞太影展最佳剪接

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1980

加入新藝城出任剪接師,其後升任後期製作經理,統籌配音與沖印等工序。

Joined Cinema City as an editor in 1980 and later rose to post-production manager overseeing dubbing and processing.

1981

憑《鬼馬智多星》獲第18屆台灣金馬獎最佳剪接。

Won Best Editing at the 18th Golden Horse Awards for All the Wrong Clues (1981).

1983

憑《夜驚魂》獲第2屆香港電影金像獎最佳剪接。

Won Best Editing at the 2nd Hong Kong Film Awards for He Lives by Night (1983).

影響與傳承 Impact & Legacy

繁體中文

周國忠是香港電影後期製作的關鍵人物,長期主理新藝城的剪接工作,其節奏明快的剪接塑造了八十年代港產喜劇與動作片的面貌。他後來統籌配音、沖印與字幕等工序,並自設後期製作公司,令本地後期產業更趨專業化。他退休後仍出任業界公職,推動後期人員的權益與交流。

English

A pivotal figure in Hong Kong post-production, Tony Chow handled Cinema City's editing for years, and his brisk cutting shaped the look of 1980s local comedy and action. He later coordinated dubbing, processing and subtitling and ran his own post-production company, helping professionalise the local post-production sector. Even after retiring he took on industry posts, promoting the rights and exchange of post-production workers.

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