文化藝術人物 / Cultural figure

鄧碧雲

大字係領域(由已登記職業/領域派生),唔係姓氏。

Tang Bik Wan

1926年–1991年

領域:藝術家

繁體中文

鄧碧雲,原名鄧芍芙,1926年生於廣州,廣東三水人,眾人尊稱她為「大碧姐」。少時隨唱家廖了了習唱腔,至1937年來港定居,再拜粵劇男花旦鄧肖蘭芳門下學藝,並先後加入太平劇團與九重天劇團任梅香。1942年戰時避居澳門,因演出《關麗珍問吊》而一舉成名;16歲升任正印花旦,之後在勝利年、錦添花、興中華等多個粵劇團任正印花旦。1947年自組碧雲天劇團,演出多齣名劇,包括《花王之女》《艷女情顛假玉郎》《鸞鳳換香巢》《彩鸞燈》等,並曾於1971年帶領團員到美國登台演出,歷年提攜與培育出李鳳聲、陳嘉鳴、梁漢威等多位後起之秀。碧雲天劇團在1977年最後一次起班,演出的《丹鳳飛臨野鶴家》為她最後的粵劇公演。1959年,她在《娛樂之音》的「梨園三王」選舉中當選第二任「花旦王」。因擅演不同類型的角色,甚至反串生角,故享有「萬能旦后」之美譽。她1950年開始從影,首作為《風火送慈雲》(1950),戲路廣闊,主演《碧海狂僧》(1953、1958)、《鐵嘴雞》(1956)、《神女會襄王》(1957)、《仙鶴神針》(首集、下集與大結局,1961至1962)、《好姐賣粉果》(1965)等多齣膾炙人口的電影。她飾演的女角形象莊諧俱佳,既能演出婀娜多姿、明艷照人的女主角,亦可放下身段作「鬼馬」演出,創造出牙尖嘴利的「鐵嘴雞」、刁蠻潑辣的「蒸生瓜」(《霸王雞乸》〔1956〕)、扭盡六壬的「橫紋刀」(《橫紋刀劈扭紋柴》〔1956〕)與「軟皮蛇」(《軟皮蛇三鬥老虎乸》〔1957〕),以及大良馬姐「好姐」(《百子千孫》〔1965〕)等經典角色。她亦能操順德話、台山話、客家話、石岐話、隆都話等多種方言,在《鸞鳳換香巢》(1955)、《傻女搶新郎》(1956)等電影中以不同鄉音演出,展現百變形象。她曾創辦寶寶影業、寶華影業與金碧影業三間電影公司,在1953年至1966年間攝製電影逾四十齣,並監製當中部分作品。後期她較少參演電影,作品包括《陰陽錯》(1983)、《撞邪先生》(1988)、《皇家女將》(1990)等。七十年代起,她轉向電視界發展,參演電視廣播有限公司的《家變》(1977)、麗的電視的《變色龍》(1978)、佳藝電視的《名流情史》(1978)、香港電台電視部的《香江歲月》(1984)等。晚年她憑劇集《季節》(1987)中大方得體的母親形象再露鋒芒,成為街知巷聞的「眾人媽打」,後來以此形象拍攝的電影《南北媽打》(1988)亦大受歡迎。1991年3月,她在香港病逝。

English

Tang Bik-wan, born Tang Cheuk-fu in Guangzhou in 1926 and known as 'Big Bik', was a Cantonese native of Sanshui. She studied singing under Liu Liu-liao, settled in Hong Kong in 1937 and trained under the male female-lead Tang Siu-lan-fong, joining the Tai Ping and Kau Chung Tin troupes. In 1942, during the war, she took refuge in Macau and rose to fame with The Hanging of Guan Lizhen; by sixteen she was a principal female lead. In 1947 she founded the Bik Wan Tin troupe, staging such famous works as The Flower King's Daughter and The Painted Luan Lantern, and touring the United States in 1971. A readers' poll named her 'Queen of the Female Leads' in 1959, and because she was adept at many kinds of roles, including male leads, she earned the title 'Queen of All Trades'. She began making films in 1950 and starred in popular comedies such as Iron Beak Chicken (1956) and Sister Ho Sells Rice Dumplings (1965), creating a gallery of comic characters performed in various dialects. She ran three production companies between 1953 and 1966, producing more than forty films, and in later years moved to television, where her warm mother figure in the series The Seasons (1987) made 'Ma Da' a household name. She died in Hong Kong in March 1991.

人物小檔 Profile

職業Occupation

演員、監製

年期Active period

1926年–1991年

代表作Notable works

《關麗珍問吊》《花王之女》《艷女情顛假玉郎》《鸞鳳換香巢》《彩鸞燈》《丹鳳飛臨野鶴家》

獎項及榮譽Awards & honours

《娛樂之音》「梨園三王」選舉第二任「花旦王」(1959)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1942

戰時避居澳門,憑演出《關麗珍問吊》一舉成名。

Took refuge in Macau during the war and rose to fame with The Hanging of Guan Lizhen.

1950

開始從影,首作為《風火送慈雲》,其後主演多齣膾炙人口的電影。

Made her film debut in 1950 and went on to star in numerous popular films.

1959

在《娛樂之音》「梨園三王」選舉中當選第二任「花旦王」。

Was named the second 'Queen of the Female Leads' in a popular newspaper poll.

影響與傳承 Impact & Legacy

繁體中文

鄧碧雲集正印花旦與丑生於一身,以《鐵嘴雞》《好姐賣粉果》等片創造多個諧趣角色,被譽為「萬能旦后」,並以多種方言演出展現百變形象。她自組碧雲天劇團並培育李鳳聲、陳嘉鳴、梁漢威等後輩,晚年以《季節》的「媽打」形象深入民心,是橫跨粵劇、電影與電視的多面演藝人。

English

Tang Bik-wan combined the principal female lead and the clown, creating comic characters in films such as Iron Beak Chicken and Sister Ho Sells Rice Dumplings that earned her the title 'Queen of All Trades', and she performed in many regional dialects. Running her own troupe and mentoring successors such as Lee Fung-sing and Leung Hon-wai, she became a household name late in life through her 'Ma Da' mother figure in The Seasons, a versatile artist across opera, film and television.

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