文化藝術人物 / Cultural figure

蕭璘

大字係領域(由已登記職業/領域派生),唔係姓氏。

Siu Lun

1960年–1964年(活躍期)

領域:藝術家

繁體中文

蕭璘為廣東潮陽人,係潮劇名伶蕭南英嘅堂姊,喺天津出生,後隨家人移居上海,不久再南下汕頭,喺當地中學畢業後因喜歡演戲,曾參加潮劇戲班演出,亦曾入讀潮劇專科學校學戲。1955年,佢轉往泰國曼谷、由蘇醒寰主持嘅中一枝香潮劇團當主角,最後來港發展,通潮語、國語同粵語。1950年代末潮劇改革帶動潮語片興起,香港成為潮語片主要生產地,星馬同泰國係最大市場,蕭璘正喺呢個浪潮中加入影圈。由於身形嬌小、樣子甜美,佢初出道即被分派喺《蘆林會》(萬聲出品,1960)中演出娃娃生嘅安安一角;該片上映不久,佢隨片到泰國登台超過一個月,期間主要同中一枝香合作,演出《安安兒尋母》(即《蘆林會》)、《青梅求婚》及《桃花姐》。接著佢喺銀幕上回復女兒身,參演《蓮香戲鞋》(1960)同《女駙馬》(1961),之後以女主角身份主演《鐵弓緣》(1961)同《秋心女》(1961),並乘兩片上映時到星馬隨片登台獻唱近兩個月,令佢喺星馬同泰國一帶打開知名度。拍罷《韓文公凍雪》(1962)後,佢組織青山影業公司,拍攝當時較少見嘅潮語時裝片《潮州嫂》(1963)並自任女主角,另拍《三娘教子》(1963),片中再次反串娃娃生。佢從影早期曾為東山影業公司同中藝影業公司演出,後期除自己公司外,亦同興興影業公司、榮華製片公司等合作,如《擲嬌媚》(1963)、《花燈謎》(1964),共拍十多部潮語片。隨住戲曲改編熱潮過去,潮語片產量在1960年代中期逐漸回落。

English

Siu Lun, a native of Chaoyang in Guangdong and a cousin of the celebrated Chaozhou opera performer Siu Nam-ying, was born in Tianjin and moved with her family first to Shanghai and soon afterwards to Shantou. After finishing secondary school there her love of acting led her into Chaozhou opera troupes and a Chaozhou opera training school. In 1955 she became a leading performer with the Chung Yat Ji Heung Chaozhou opera troupe in Bangkok, run by So Sing-wan, before finally settling in Hong Kong; she spoke Teochew, Mandarin and Cantonese. As the reform of Chaozhou opera in the late 1950s gave rise to Teochew-dialect cinema, with Hong Kong as its main production base and Singapore, Malaya and Thailand its biggest markets, Siu Lun joined the wave. Small and sweet-looking, she made her screen debut as the child role An-an in Lu Lin Hui (1960, from Man Sing), and soon after toured Thailand for more than a month with the film, performing with Chung Yat Ji Heung in pieces including An-an Seeks His Mother, A Proposal in the Plum Grove and Tao Hua Jie. Returning to female roles on screen, she appeared in Lian Xiang's Embroidered Shoes (1960) and The Emperor's Daughter (1961), then took the lead in Romance of the Iron Bow and Qiu Xin Nu (both 1961), touring Singapore and Malaya for nearly two months as the films opened and building her name across Southeast Asia. After finishing Han Wengong in the Snow (1962) she founded the Tsing Shan Film Company and made the then-rare modern-dress Teochew film Chaozhou Sao (1963) as its leading lady, followed by San Niang Jiao Zi (1963), in which she again played a child role in reverse casting. Having worked early on for Tung Shan and Zhongyi, she later cooperated with Chiu Chiu and Eng Wah, making more than ten Teochew films in all.

人物小檔 Profile

職業Occupation

演員

年期Active period

1960年–1964年(活躍期)

代表作Notable works

《蘆林會》(1960)、《鐵弓緣》(1961)、《潮州嫂》(1963)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1960

以《蘆林會》飾演安安初登銀幕

Made her screen debut as the child role An-an in Lu Lin Hui

1961

主演《鐵弓緣》、《秋心女》,並赴星馬隨片登台

Starred in Romance of the Iron Bow and Qiu Xin Nu, touring Singapore and Malaya with the films

1963

自組青山影業公司,主演潮語時裝片《潮州嫂》

Founded the Tsing Shan Film Company and starred in the modern-dress Teochew film Chaozhou Sao

影響與傳承 Impact & Legacy

繁體中文

蕭璘由潮劇舞台轉戰潮語片,既能反串娃娃生,又自組公司拍攝當時少見嘅時裝題材《潮州嫂》,並兩度隨片赴東南亞登台,成為1960年代初香港潮語片喺星馬同泰國市場嘅一張熟面孔。佢嘅經歷反映潮語片由戲曲改編走向時裝題材嘅一段轉變。

English

Siu Lun moved from the Chaozhou opera stage to Teochew-dialect cinema, playing child roles in reverse casting and founding her own company to make the then-rare modern-dress subject Chaozhou Sao, and twice toured Southeast Asia with her films. She was a familiar face for Hong Kong Teochew pictures in the Singapore, Malaya and Thailand markets in the early 1960s, her career reflecting the genre's shift from opera adaptation towards contemporary themes.

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