文化藝術人物 / Cultural figure

島耕二

大字係領域(由已登記職業/領域派生),唔係姓氏。

Shima Koji

1901年–1986年

領域:藝術家

繁體中文

島耕二(Shima Koji),原名鹿兒島武彥,1901年2月16日生於日本長崎縣長崎市,1986年9月10日離世,係日本映畫學校第一屆畢業生。1925年佢以演員身分加入日活株式會社嘅「大將軍片場」,演出過內田吐夢、阿部豐、溝口健二同田坂具隆等執導嘅影片。佢三十八歲才轉任導演,處女作為《雲雀》(1939)。1940年佢憑改編石川達三原著嘅《轉落的詩集》、尾崎一雄原著嘅《暢氣眼鏡》同宮澤賢治嘅《風之又三郎》而受到注目。戰時佢既執導《新加坡總攻擊》(1943)一類嚴肅戰爭片,亦以杉狂兒、轟夕起子為賣點拍出爆笑喜劇《電擊二重奏》(1941),完成《出征前十二小時》(1943)後被徵召入伍。戰後佢為大映、東橫映畫同新東寶執導《還以為是妳》(1946)、《轟先生》(1947)、《再見》(1949)等片,風格由樸實轉向通俗,並拍出主題曲大受歡迎嘅《銀座康康娘》(1949)。1953年佢起用新人若尾文子拍攝《十代の性典》,引起爭議卻大受歡迎。1954年嘅《金色夜叉》獲第一屆東南亞電影節最佳影片;1956年嘅科幻片《外星人突襲東京》奪得第三屆東南亞電影節最佳彩色攝影同最佳錄音。1969年起佢以「史馬山」之名替邵氏兄弟(香港)執導《裸屍痕》(1969)、《椰林春戀》(1969)同《胡姬花》(1970)等片。其後在星馬取景嘅《南海情歌》因主角陳厚逝世而停拍,改由助導桂治洪拍成《海外情歌》(1970),成為佢導演生涯最後一部作品。七十年代以後,佢主要為企業拍攝宣傳片。

English

Koji Shima, born Takehiko Kagoshima in Nagasaki on 16 February 1901 and dead in September 1986, was a graduate of the first class of the Japan Film Actors School. He joined the Nikkatsu studio's Daishogun set as an actor in 1925, appearing in films by Tomu Uchida, Yutaka Abe, Kenji Mizoguchi and Tomotaka Tasaka. He turned to directing only at the age of thirty-eight, with The Skylark (1939). In 1940 his adaptations of Ishikawa Tatsuzo's A Collection of Fallen Poems, Ozaki Kazuo's Rosy Glasses and Miyazawa Kenji's Matasaburo of the Wind drew attention. During the war he made the serious war film All-out Attack on Singapore (1943) as well as the comedy Electrifying Duet (1941), built around the comic pairing of Sugi Kyojin and Todoroki Yukiko; after filming Twelve Hours Before Setting Out (1943) he was drafted. After the war he directed for Daiei, Toyoko Eiga and Shintoho, including I Thought It Was You (1946), Mr Todo (1947), Goodbye (1949) and the hit musical Ginza Cancan Girl (1949), moving toward more popular material. In 1953 he cast the newcomer Wakao Ayako in The Japanese Lady Chatterley's Lover, a controversial box-office success. Golden Demon (1954) won Best Film at the first Southeast Asia Film Festival, and his science-fiction film Warning from Space (1956) took prizes for colour cinematography and sound at the third Southeast Asia Film Festival. From 1969, under the name Shi Mashan, he directed for Shaw Brothers in Hong Kong, including Dear Murderer (1969), Tropicana Interlude (1969) and The Orchid (1970). His last production, Song of the South Sea, stopped when its lead Peter Chen Ho died and was remade as Love Song over the Sea (1970) by assistant director Kuei Chih-hung. In the 1970s he mainly directed promotional films.

人物小檔 Profile

職業Occupation

導演日本人

年期Active period

1901年–1986年

代表作Notable works

《雲雀》《轉落的詩集》《暢氣眼鏡》《風之又三郎》《金色夜叉》《電擊二重奏》

獎項及榮譽Awards & honours

《金色夜叉》獲第一屆東南亞電影節最佳影片(1954)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1939

執導處女作《雲雀》,由演員轉任導演。

Directed his first film, The Skylark, marking his move from actor to director.

1954

憑《金色夜叉》獲第一屆東南亞電影節最佳影片。

Won Best Film at the first Southeast Asia Film Festival for Golden Demon.

1969

以「史馬山」之名為邵氏兄弟(香港)執導《裸屍痕》等片。

Began directing for Shaw Brothers in Hong Kong under the name Shi Mashan, starting with Dear Murderer.

影響與傳承 Impact & Legacy

繁體中文

島耕二喺日本戰前戰後均有作品,1954年《金色夜叉》奪首屆東南亞電影節最佳影片,1956年《外星人突襲東京》取得第三屆東南亞電影節最佳彩色攝影同錄音。1969年後佢以「史馬山」之名為邵氏執導《裸屍痕》等片,把日本片廠經驗帶入香港。

English

A prolific Japanese director across the pre- and post-war eras, Shima won Best Film at the first Southeast Asia Film Festival and later brought Japanese studio craft to Hong Kong when he directed for Shaw Brothers under the alias Shi Mashan.

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