文化藝術人物 / Cultural figure

陳學人

大字係領域(由已登記職業/領域派生),唔係姓氏。

Norman Chan

1952年–

領域:藝術家 · 作家與觀點論述者

繁體中文

祖籍廣東新會,香港出生。中學畢業後入讀美國南加州大學電影電視系,1976年畢業後回港,加入佳藝電視任職助理編導,半年後晉升編導。期間重遇大學同學劉成漢,1977年獲對方鼓勵外闖拍片,出任其執導首作《慾火焚琴》(1980)嘅製片,繼而擔任多部新浪潮時期影片嘅製片,包括《師爸》(1980)、《愛殺》(1981)、《忌廉溝鮮奶》(1981)、《薄荷咖啡》(1982)等,初進影圈時亦曾為《鬼才龍虎榜》(1979)編劇。佢善於管控支出,工作效率高,1983年獲新藝城影業有限公司羅致,曾任《靈氣逼人》(1984)同《恭喜發財》(1985)嘅製片,亦係《四眼仔》(1985)嘅製片統籌,並策劃了《烏龍大家庭》(1986)。1986年獲邀加入德寶電影公司,躍升製片經理,主責「三人組」(高志森、于仁泰、馮世雄)嘅影片,包括《龍在江湖》(1986)、《富貴逼人》(1987)、《鬼馬校園》(1987)同《你OK,我OK》(1987),亦擔任《中華戰士》(1987)同《通天大盜》(1987)嘅製片經理。期間引進電腦系統管控製作預算,更具效率地處理帳目,以防超支。1988年出任行政同製作總監,參與大部分影片嘅製作事務,約於1991年離職。喺德寶期間首次執導,編導咗中產浪漫喜劇《單身貴族》(1989),至九十年代初再次執導,拍攝了《開心鬼5上錯身》(黃百鳴合導,1991)。其後轉向具爭議嘅成人題材,化名「陳奧圖」,執導了《禁色》(1992)、《大咸濕》(1992)、《私鐘真面目》(1992)、《紙盒藏屍之公審》(1993)、《不文女學堂》(1994)、《廣州殺人王之人皮日記》(1995)、《南洋第一邪降》(1996)等,部分更兼任編劇同監製。主責製片職務多年,1990年同崔寶珠、溫柏南、張權等推動成立香港電影製片人協會,為同業爭取權益。1992至93年曾任香港電影導演會委員會成員。2008年,佢執導內地出品嘅劇情片《12秒58》(蕭榮合導),以香港殘障運動員蘇樺偉嘅成長歷程為藍本,獲第11屆上海國際電影節電影頻道傳媒大獎評委會特別獎。後喺香港浸會大學任教,為電影學院講師同創意電影製作高級文憑課程主任,曾參與製作該校畢業生拍攝嘅《點五步》(2016)。

English

Born in Hong Kong to a Xinhui family, Norman Chan studied film and television at the University of Southern California and graduated in 1976. Back in Hong Kong he joined Commercial Television as an assistant director and was promoted to director within half a year. Encouraged by his university classmate Allen Fong, he produced Fong's debut The Beasts (1980) and went on to produce New Wave titles including The Happenings (1980), Love Massacre (1981), Cream, Soda and Milk (1981) and Lemon Cola (1982), having earlier written the screenplay for The Crazy Instructor (1979). Noted for cost control and efficiency, he was recruited by Cinema City in 1983 and in 1986 joined D&B Film as production manager, overseeing the trio of Clifton Ko, Ronny Yu and Fung Sai-hung and introducing computerised budget control. He made his directing debut with the middle-class romantic comedy Single Nobility (1989) and later directed adult-themed films under the pseudonym Otto Chan. In 1990 he helped found the Hong Kong Film Producers' Association. His 2008 feature, co-directed with Siu Wing, won a jury prize at the 11th Shanghai International Film Festival, and he later taught at Hong Kong Baptist University.

人物小檔 Profile

職業Occupation

製片經理、導演、編劇

年期Active period

1952年–

代表作Notable works

《慾火焚琴》《師爸》《愛殺》《忌廉溝鮮奶》《薄荷咖啡》《鬼才龍虎榜》

獎項及榮譽Awards & honours

第11屆上海國際電影節電影頻道傳媒大獎評委會特別獎(《12秒58》,2008)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1983

獲新藝城影業有限公司羅致,任《靈氣逼人》(1984)同《恭喜發財》(1985)嘅製片。

Recruited by Cinema City, producing The Spiritualist (1984) and Kung Hei Fat Choy (1985).

1986

加入德寶電影公司任製片經理,引進電腦系統管控製作預算。

Joined D&B Film as production manager and introduced computerised budget control.

1990

與崔寶珠、溫柏南、張權等推動成立香港電影製片人協會。

Helped found the Hong Kong Film Producers' Association with Chui Po-chu, Wan Pak-nam and Cheung Kuen.

影響與傳承 Impact & Legacy

繁體中文

陳學人由佳視編導轉做製片,係新浪潮時期同德寶年代活躍嘅幕後推手,並率先將電腦系統引入製作預算管理。佢既主責商業大片嘅製作,又化名執導多部成人題材電影,戲路同崗位都相當多變。

English

Moving from directing at Commercial Television to production, Norman Chan was an active behind-the-scenes figure in the New Wave and D&B years and an early adopter of computerised budget control. He oversaw large commercial productions while also directing adult-themed films under a pseudonym, proving remarkably versatile in both role and genre.

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