文化藝術人物 / Cultural figure

施南生

大字係界別(由已登記職業/領域派生),唔係姓氏。

Nansun Shi

1951年–2026年

繁體中文

施南生祖籍江蘇崇明島,1951年生喺香港,喺瑪利諾書院(今瑪利曼中學)完成中四後負笈英國,喺北倫敦理工學院取得電腦統計學學士。回港後先任職公關公司Michael Stevenson Limited,之後轉投電視行業,先後效力電視廣播有限公司(無綫電視,TVB)、佳藝電視同麗的電視,1981年獲擢升為麗的電視第一台助理總監,主理行政同預算。同年,因徐克拍攝《鬼馬智多星》,佢獲邀喺11月出任新藝城影業行政總監,首次踏足電影業,成為「新藝城七人小組」中唯一嘅女性,被同儕暱稱「管家婆」,統籌公司發展方向、製作意見、海外發行同影展推廣等內外事務。任內佢策劃《夜驚魂》(1982)、《小生怕怕》(1982)、《最佳拍檔大顯神通》(1983)、《陰陽錯》(1983)、《最佳拍檔之女皇密令》(1984)等片,並監製《聖誕快樂》(1984)。1984年,佢同徐克合組電影工作室,但仍留任新藝城至1987年6月。其後佢多次涉足電視同傳媒,1991年加入智才集團,創立時事頻道「傳訊電視網絡」,1999年再加入香港電訊發展收費電視業務。2002年,佢應林建岳邀請出任寰亞副總裁,並為《無間道》(2002)嘅出品人之一。2006至2012年,佢出任博納影業集團董事會主席,期間監製或出品《竊聽風雲2》(2011)、《大魔術師》(2012)、《桃姐》(2012)等。佢多年來為電影工作室執行董事,曾擔任《狄仁傑之通天帝國》(2010)嘅製片人,並監製《龍門飛甲》(2011)同《奇門遁甲》(2018)。2012年,佢一度加入鳳凰衛視主持政論節目。憑藉國際聲望,佢先後出任2007年柏林國際電影節同2011年康城國際電影節嘅評審委員,並獲多項國際榮譽:2013年獲法國政府授予法國藝術同文學軍官勳章,2014年獲瑞士盧卡諾國際電影節Raimondo Rezzonico最佳獨立製片人獎,2015年獲意大利烏甸尼遠東電影節金桑樹終身成就獎,2017年獲柏林影展金攝影機獎。2025年,佢同徐克一同獲第43屆香港電影金像獎終身成就獎。2026年7月13日,佢喺香港養和醫院辭世,享年75歲。

English

Nansun Shi was born in Hong Kong in 1951 to a family from Chongming Island in Jiangsu. After finishing Form Four at Maryknoll Convent School she studied in Britain, graduating with a degree in computer statistics from the Polytechnic of North London. Back in Hong Kong she first worked for the public relations firm Michael Stevenson Limited, then moved into television with TVB, Commercial Television and RTV, being promoted to assistant controller of RTV's First Channel in 1981. That November, through her ties with Tsui Hark, who had just directed All the Wrong Clues, she was invited to join Cinema City as its administrative director, entering film for the first time as the only woman in the studio's celebrated 'seven-man band'. Known as its 'housekeeper', she oversaw corporate strategy, production advice, overseas distribution and festival promotion, planning He Lives by Night (1982), Till Death Do We Scare (1982), Aces Go Places II (1983), Esprit d'amour (1983) and Aces Go Places III (1984), and producing Merry Christmas (1984). In 1984 she and Tsui Hark founded Film Workshop while she stayed at Cinema City until June 1987. She later worked in television and media, helping launch the news channel CTN in 1991 and developing pay-TV for Hong Kong Telecom in 1999. In 2002 Peter Lam invited her to Media Asia as a vice president, and she was one of the producers of Infernal Affairs (2002). From 2006 to 2012 she chaired the board of Bona Film Group, overseeing Overheard 2 (2011), The Great Magician (2012) and A Simple Life (2012). As executive director of Film Workshop she produced Detective Dee and the Mystery of the Phantom Flame (2010) and produced Flying Swords of Dragon Gate (2011) and The Thousand Faces of Dunjia (2018). She hosted a current-affairs programme on Phoenix Television in 2012. Internationally she served on the juries of the 2007 Berlinale and the 2011 Cannes Film Festival, and was named an Officer of the French Order of Arts and Letters in 2013, won Locarno's Premio Raimondo Rezzonico in 2014, the Udine Far East Film Festival's Golden Mulberry lifetime award in 2015 and the Berlinale Camera in 2017. In 2025 she and Tsui Hark received the Lifetime Achievement Award at the 43rd Hong Kong Film Awards. She died at Hong Kong Sanatorium & Hospital on 13 July 2026, aged 75.

人物小檔 Profile

職業Occupation

行政總監、監製、策劃

年期Active period

1951年–2026年

代表作Notable works

《鬼馬智多星》《夜驚魂》《小生怕怕》《最佳拍檔大顯神通》《陰陽錯》《最佳拍檔之女皇密令》

獎項及榮譽Awards & honours

2013年法國藝術與文學軍官勳章;2014年瑞士盧卡諾國際電影節Raimondo Rezzonico最佳獨立製片人獎;2015年意大利烏甸尼遠東電影節金桑樹終身成就獎;2017年柏林影展金攝影機獎;2025年第43屆香港電影金像獎終身成就獎(與徐克)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1981

獲邀出任新藝城影業行政總監,成為「七人小組」中唯一嘅女性,統籌行政、製片、發行同宣傳。

Appointed administrative director of Cinema City, the only woman in its 'seven-man band', overseeing administration, production, distribution and promotion.

1984

與徐克合組電影工作室,其後長期擔任該公司執行董事及製片人。

Co-founded Film Workshop with Tsui Hark and long served as its executive director and producer.

2025

與徐克一同獲第43屆香港電影金像獎終身成就獎。

Received the Lifetime Achievement Award at the 43rd Hong Kong Film Awards together with Tsui Hark.

影響與傳承 Impact & Legacy

繁體中文

施南生係新藝城同電影工作室嘅核心行政同製片推手,把現代化管理同國際發行觀念帶入港產片製作。佢長期統籌海外發行同影展推廣,令香港電影喺八、九十年代大規模進入亞洲同歐美市場。作為華語影壇少數具國際地位嘅女性製片人,佢其後主理博納影業同多個跨國合製項目,為香港同內地電影工業搭橋。

English

Nansun Shi was the administrative and production engine behind Cinema City and Film Workshop, bringing modern management and international distribution thinking to Hong Kong filmmaking. Her long-running work in overseas sales and festival promotion helped Hong Kong cinema reach Asian, European and American markets on a large scale during the 1980s and 1990s. As one of the few women producers of international standing in Chinese-language cinema, she later led Bona Film Group and numerous cross-border co-productions, bridging the Hong Kong and mainland film industries.

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