文化藝術人物 / Cultural figure

村山三男

大字係領域(由已登記職業/領域派生),唔係姓氏。

Murayama Mitsuo

1920年–1979年

領域:藝術家

繁體中文

村山三男為日本電影導演,1920年4月1日生於新潟縣。1940年,佢以助導身份進入日活株式會社嘅多摩川片場,跟隨導演清瀨英次郎學藝,不久被召從軍,至1946年才喺日本大映公司嘅東京片場復職。復職後佢當過牛原虛彥、渡邊邦男同久松靜兒嘅助手,更喺首部港日合拍片《楊貴妃》(1955)中擔任溝口健二嘅副導演。1956年佢升任導演,處女作為《東京犯罪地圖》,此後一直喺大映東京片廠執導咗二十多部作品。三年後,佢憑《啊,江田島》(1959)顯露執導戰爭片嘅才華,為《啊,零戰》(1965)、《啊,海軍》(1969)同《啊,陸軍隼戰鬥隊》(1969)等一系列「啊」字戰爭片起了啟後作用。除戰爭題材外,佢亦以描寫犯罪嘅動作懸疑偵探片見稱,作品有《透明人與蠅男》(1957)、《媽媽不是殺人犯》(1958)、《被消滅的警探》(1958)、《白晝的侵入者》(1958)、《手槍之盟》(1960)同《犯罪6號地》(1960)等。1969年起,佢以中文名穆時傑替邵氏兄弟(香港)有限公司執導《人頭馬》(1969)、《殺機》(1970)同《鬼門關》(1970),皆屬其擅長嘅心理犯罪與暴力動作類型。佢愛用跳拍,先把同一場景嘅戲份集中拍攝,創下三個月完成三部影片嘅紀錄。1971年12月其所屬嘅大映宣布破產,佢轉投電視工作,為電視劇集執導,1974年再執導筒,完成遺作《1945年在樺太嘅夏天——冰雪之門》,1979年7月29號去世。

English

Mitsuo Murayama was a Japanese film director born in Niigata Prefecture on 1 April 1920. In 1940 he joined the Tamagawa studio of Nikkatsu as an assistant director under Kiyose Eijiro, but was soon drafted into the army and only returned to work in 1946 at the Tokyo studio of the Daiei company. He assisted directors Ushihara Kiyohiko, Watanabe Kunio and Hisamatsu Seiji, and served as assistant director to Mizoguchi Kenji on Yang Kwei Fei (1955), the first Hong Kong-Japanese co-production. Promoted to director in 1956 with Tokyo Crime Map, he went on to direct more than twenty films at the Daiei Tokyo studio. Three years later, Ah, Etajima (1959) showed his flair for war films and paved the way for titles such as Ah, Zero Fighter (1965), Ah, the Navy (1969) and Ah, the Army Falcon Fighter Squadron (1969). Besides war subjects he was known for crime, action and detective films, including The Invisible Man and the Fly Man (1957), Mama Is Not a Murderer (1958), The Eliminated Detective (1958), Intruder in Broad Daylight (1958), Pistol Pact (1960) and Crime Zone No. 6 (1960). From 1969 he directed for Shaw Brothers (Hong Kong) under the Chinese name Mu Shih-chieh, making Ren Tou Ma (1969), Sha Ji (1970) and Gui Men Guan (1970), all in his favoured psychological-crime and violent-action vein. He liked to shoot in blocks, filming all scenes from one set together, and once finished three films in three months. When Daiei went bankrupt in December 1971 he moved into television, returning to directing in 1974 with his last film, Summer in Karafuto 1945: Gate of Ice and Snow. He died on 29 July 1979.

人物小檔 Profile

職業Occupation

導演日本人

年期Active period

1920年–1979年

代表作Notable works

《楊貴妃》《東京犯罪地圖》《啊,江田島》《啊,零戰》《啊,海軍》《啊,陸軍隼戰鬥隊》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1956

升任導演,處女作為《東京犯罪地圖》。

Was promoted to director, making his debut with Tokyo Crime Map.

1959

執導《啊,江田島》,顯露執導戰爭片的才華。

Directed Ah, Etajima, revealing his flair for war films.

1969

以中文名穆時傑為邵氏執導《人頭馬》。

Directed Ren Tou Ma for Shaw Brothers under the Chinese name Mu Shih-chieh.

影響與傳承 Impact & Legacy

繁體中文

村山三男在大映以戰爭片與犯罪懸疑片成名,其《啊,江田島》開啟了一系列「啊」字戰爭片;他1969年以穆時傑之名為邵氏執導三部心理犯罪片,並以跳拍法創下三個月完成三部影片嘅紀錄,成為港日電影往來嘅一段具體見證。

English

Mitsuo Murayama made his name at Daiei with war and crime-suspense pictures; Ah, Etajima launched a run of his 'Ah' war films. In 1969 he directed three psychological-crime films for Shaw Brothers under the name Mu Shih-chieh, and his block-shooting method once yielded three films in three months, leaving a concrete record of the traffic between Japanese and Hong Kong cinema.

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