繁體中文
宮木幸雄（Miyaki Yukio，1934年生），日本人，生於神奈川縣，是1960至70年代活躍於香港的電影攝影師。來港前他已在日本影視圈累積十多年經驗，1952年加入螞蟻製作公司，曾當攝影師井上莞的助手。1963年他憑電視節目《這裡是社會部》在日本獲電視記者會獎。1960年代邵氏大量羅致日本技術人員，同期在廠的還有井上梅次、中平康等日籍導演，宮木是其中一員。關於他來港的契機眾說紛紜：一說指他1967年跟隨日籍導演古川卓巳到邵氏兄弟（香港）有限公司拍攝《黑鷹》（1967）與《風流鐵漢》（1967）；另一說指他1968年協助張徹在日本拍攝《金燕子》（1968）與《飛刀手》（1969）的外景；也有說他早在1965年已與邵氏簽約。七十年代中期以前，他以龔慕鐸的藝名，專門擔任張徹影片的攝影師，參與的邵氏電影超過三十部，包括《大盜歌王》（1969）、《死角》（1969）、《保鏢》（1969）、《鐵手無情》（1969）、《獨臂刀王》（1969）、《報仇》（1970）、《十三太保》（1970）、《無名英雄》（1971）、《新獨臂刀》（1971）、《雙俠》（1971）、《馬永貞》（1972）、《水滸傳》（1972）、《刺馬》（1973）、《方世玉與洪熙官》（1974）、《少林五祖》（1974）、《洪拳與詠春》（1974）、《五虎將》（1974）、《洪拳小子》（1975）、《哪吒》（1975）、《八道樓子》（1976）、《射鵰英雄傳》（1977）、《五毒》（1978）與《生死門》（1979）等。張徹曾指他提升了香港動作片的手提攝影技術。
English
Miyaki Yukio (born 1934) is a Japanese cinematographer born in Kanagawa Prefecture who was active in Hong Kong cinema in the 1960s and 1970s, having already spent more than a decade in the Japanese film and television industry. In 1952 he joined Ari Production and worked as an assistant to the cinematographer Inoue Kan. In 1963 he won a television reporters' award in Japan for the programme Kochira wa Shakaibu. Amid a 1960s influx of Japanese technicians into Shaw Brothers, alongside directors such as Inoue Umetsugu and Nakahira Ko, Miyaki was one of those recruited. Accounts differ on how he reached Hong Kong: one has him following the Japanese director Furukawa Takumi to Shaw Brothers (Hong Kong) Ltd in 1967 to shoot The Black Falcon and Kiss and Kill; another traces the connection to 1968, when he helped Chang Cheh film the outdoor scenes of Golden Swallow (1968) and The Flying Dagger (1969) in Japan; a third says he had signed with Shaw as early as 1965. Until the mid-1970s he worked, under the Chinese pseudonym Gong Muduo, exclusively as cinematographer on Chang Cheh's films, taking part in more than thirty Shaw pictures. Among them are The Singing Thief (1969), Dead End (1969), Have Sword, Will Travel (1969), The Invincible Fist (1969), Return of the One-Armed Swordsman (1969), Vengeance! (1970), The Heroic Ones (1970), The Anonymous Heroes (1971), The New One-Armed Swordsman (1971), The Deadly Duo (1971), Boxer from Shantung (1972), The Water Margin (1972), The Blood Brothers (1973), Heroes Two (1974), Five Shaolin Masters (1974), Shaolin Martial Arts (1974), The Savage Five (1974), Disciples of Shaolin (1975), 7-Man Army (1976), The Brave Archer (1977), The Five Venoms (1978) and Life Gamble (1979). Chang Cheh once remarked that Miyaki raised the standard of hand-held camerawork in Hong Kong action films.
