文化藝術人物 / Cultural figure

麥炳榮

大字係領域(由已登記職業/領域派生),唔係姓氏。

Mak Bing Wing

1915年–1984年

領域:藝術家

繁體中文

麥炳榮原名麥漢明,廣東番禺人,1915年12月19日生。他曾就讀香港華仁學校,自幼喜愛粵劇,十三歲拜自由鐘為師,學戲不久便在人壽年粵劇班當「手下」。兩年後他轉投覺先聲粵劇團,做了兩年配角後升包尾小生,再轉任二幫小武,參演《紅爐火》等名劇。1934年他在新生活劇團當正印小生,1940年前先後參加大羅天、太平等劇團。1941年末香港淪陷前,他前往美國演出,至1947年初才返港參加前鋒粵劇團。他長期是大龍鳳粵劇團的文武生與主要台柱,最佳舞台拍檔為名旦鳳凰女,合演《百戰榮歸迎彩鳳》、《刁蠻元帥莽將軍》、《彩鳳榮華雙拜相》及家喻戶曉的《鳳閣恩仇未了情》。他擅演文武生,深諳傳統功架,主演名劇有《黃飛虎反五關》、《蘆花蕩》、《梟雄虎將美人威》等。1940年他參演首部電影《徐鳴皐三探寧王府》,1940至1966年間參演約一百二十部電影,其首本戲大多搬上銀幕,如大龍鳳影業出品的《百戰榮歸迎彩鳳》(1961)、《十年一覺揚州夢》(1961)、《鳳閣恩仇未了情》(1962);其他粵劇戲曲片還有《危城鶼鰈》(1955)、《蘆花河會母》(1961)及《火海勝字旗》(1962)等。1963年他與第二任妻子于素秋合組榮鳳影業公司,出品《不斬樓蘭誓不還》(1963)等。其主演的《打死不離親兄弟》(1962)保留了粵劇例戲《六國大封相》的珍貴片段。他亦曾任香港八和會館主席。《彩鳳榮華雙拜相》(1966)是他最後一部影片。他個性耿直,演出時「火氣」十足,故有「牛榮」的綽號;其聲線沙啞,行內稱「豆沙喉」,粵劇演員阮兆輝是他的弟子。1978年他加盟麗的電視,曾拍《奇兵三十六》。1984年9月13日,他因心臟病發在美國逝世。

English

Mak Bing-wing was born Mak Hon-ming in 1915 to a family from Panyu, Guangdong. He attended Wah Yan College in Hong Kong and, fond of opera from childhood, was apprenticed at thirteen to the teacher Chi Yau-chung. He soon took small parts with the Yan Sau Nin troupe, moved two years later to the Kok Sin Sing troupe, and after two years of supporting roles rose from last-ranked young man to second martial male, appearing in operas such as The Red Stove Fire. In 1934 he was principal young man with the Sun Sang Wood troupe, and before 1940 he joined companies including Tai Lo Tin and Tai Ping. Just before Hong Kong fell at the end of 1941 he left for the United States, not returning until early 1947 to join the Chin Fung troupe. He was long a principal civil-and-military male lead and mainstay of the Tai Lung Fung troupe, his finest stage partner being the actress Fung Wong Nui, with whom he performed The Victorious Return Greets the Colourful Phoenix, The Spoilt Marshal and the Reckless General, and the much-loved Love and Hate in the Phoenix Pavilion. A skilled civil-and-military actor steeped in traditional form, he starred in operas such as Huang Feihu Rebels Against the Five Passes and Heroes and Beauties. He entered films in 1940 and appeared in about 120 pictures up to 1966, most adapted from his stage hits, among them Tai Lung Fung's productions of The Victorious Return Greets the Colourful Phoenix (1961), A Dream of Ten Years in Yangzhou (1961) and Love and Hate in the Phoenix Pavilion (1962), as well as other Cantonese opera films such as Meeting Mother by the Rushua River (1961) and Flags of Victory in a Sea of Fire (1962). In 1963 he and his second wife, the actress Yu So-chau, founded Wing Fung Film Company, producing films such as We Shall Not Return Until Loulan Is Conquered (1963). His Death Cannot Part Brothers (1962) preserved rare footage of the ceremonial opera The Six States Seal the Prime Minister. He also served as chairman of the Chinese Artists Association of Hong Kong. His last film was The Colourful Phoenix Returns in Glory (1966). Known for his fiery energy on stage, he was nicknamed 'Bull Wing'; his hoarse voice was called the 'bean-paste throat', and the Cantonese opera actor Yuen Siu-fai was his disciple. He joined Rediffusion Television in 1978 and died of a heart attack in the United States on 13 September 1984.

人物小檔 Profile

職業Occupation

演員、製片家

年期Active period

1915年–1984年

代表作Notable works

《紅爐火》《百戰榮歸迎彩鳳》《刁蠻元帥莽將軍》《彩鳳榮華雙拜相》《鳳閣恩仇未了情》《黃飛虎反五關》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1940

參演首部電影《徐鳴皐三探寧王府》。

Appeared in his first film, Xu Minggao Thrice Visits the Prince of Ning's Mansion.

1961

主演大龍鳳影業出品的《百戰榮歸迎彩鳳》。

Starred for Tai Lung Fung Film in The Victorious Return Greets the Colourful Phoenix.

1963

與于素秋合組榮鳳影業公司,出品《不斬樓蘭誓不還》等。

Co-founded Wing Fung Film Company with Yu So-chau, producing films such as We Shall Not Return Until Loulan Is Conquered.

影響與傳承 Impact & Legacy

繁體中文

麥炳榮與鳳凰女的大龍鳳組合是五、六十年代粵劇的票房保證,《鳳閣恩仇未了情》等戲寶更被搬上銀幕,讓傳統排場與唱腔得以保存;他主演的《打死不離親兄弟》留下粵劇例戲《六國大封相》的珍貴片段,對研究粵劇傳統尤具價值。

English

Mak Bing-wing's partnership with Fung Wong Nui in the Tai Lung Fung troupe was a box-office guarantee for Cantonese opera in the 1950s and 1960s, and stage hits such as Love and Hate in the Phoenix Pavilion were transferred to film, preserving traditional staging and singing. His Death Cannot Part Brothers recorded rare footage of the ceremonial opera, making it especially valuable for the study of Cantonese opera tradition.

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