文化藝術人物 / Cultural figure

鷺芬

大字係領域(由已登記職業/領域派生),唔係姓氏。

Lou Fen

1950年代–1960年代

領域:藝術家

繁體中文

鷺芬原名曾谷芬,福建廈門人,在廈門長大,據香港電影資料館的記錄約生於1924年。她中學時已對演藝有興趣,參加過話劇團演出,中學畢業後曾任小學教師,入行前並無正式的戲劇訓練,全靠話劇團的演出經驗。1947年後,她與家人移居香港。廈語片在1950年代盛極一時,市場遍及閩南、台灣及東南亞的福建人社群,戰後香港匯聚了來自閩南及潮汕等地的影人,廈語片得以在此集資與拍攝,鷺芬與妹妹鷺紅正是在這段時期活躍的演員。她的妹妹鷺紅曾主演廈語片《相逢恨晚》(1948)、《破鏡重圓》(1948)等;鷺紅轉拍國語片後,鷺芬輾轉入行拍廈語片,先後演出《新陳三五娘》(1952)、《陳靖姑》(上、下集,1952至1953年)、《恩情深似海》(1954)等。1955年,她憑在《孟麗君》中反串扮演成宗皇帝而受歡迎,之後接連接拍反串男角的電影,包括《梁山伯祝英台》(1955)、《王老虎搶親》(1956),並在《亂點鴛鴦譜》(1956)中一人分飾兩角;《紅樓夢》與《黛玉歸天》(均為1956)兩片更是她與妹妹鷺紅合演。此後她又演出《天仙送子》(1957)、《楊乃武與小白菜》(1959)、《水蛙記》(1964)等。她以主角或配角身分參演近三十部廈語片,其中大部分由畢虎執導;畢虎是廈語片的主要導演之一,在廈語片中,女演員反串男角並不罕見,鷺芬憑其英氣的形象成為其中代表。她曾有兩段婚姻,第一任丈夫為樂師,第二任丈夫是導演畢虎,其後隨他移居美國,並逐漸淡出影壇。

English

Lou Fen, originally named Zeng Gufen, was a native of Xiamen in Fujian, where she grew up, and is recorded as born around 1924. Her interest in the performing arts began in her secondary-school days, when she took part in performances with a theatre troupe; after graduating she became a primary-school teacher, and she had no formal drama training before entering films. She moved to Hong Kong with her family after 1947. Amoy-dialect cinema flourished in the 1950s across Minnan, Taiwan and the Fujianese communities of Southeast Asia, and post-war Hong Kong gathered filmmakers from Minnan and Chaoshan, allowing such films to be financed and shot there; Lou Fen and her sister Lou Hung were among the performers active then. Her younger sister, Lou Hung, starred as the lead in Amoy-dialect films such as A Belated Encounter (1948) and The Air is Cleared (1948); when Lou Hung moved into Mandarin pictures, Lou Fen entered the same cinema, appearing in The Story of Chen San and Fifth Madam (1952), the two-part Chen Jinggu (1952–53) and Love Deep as the Sea (1954). By 1955, thanks to the popularity of her cross-dressing turn as the Emperor Chengzong in Meng Lijun, she was cast as male characters in various films, among them The Butterfly Lovers (1955) and Tiger Wang Snatches His Bride (1956), and in All Mixed Up (1956) she even portrayed two different characters at once. In her string of cross-dressing roles she played opposite her sister Hung in Dream of the Red Mansion (1956) and its sequel (1956). She went on to appear in Fairy and Man (1957), Yang Naiwu and Little Cabbage (1959) and a 1964 film. Lou starred in close to thirty Amoy-dialect films, most of them directed by But Fu, a leading director of the genre; cross-dressing was not uncommon in Amoy-dialect cinema, and her dashing image made her one of its representatives. She married twice — her first husband a musician — and later married the director But Fu as her second husband, with whom she emigrated to the United States and gradually retired from the screen.

人物小檔 Profile

職業Occupation

演員

年期Active period

1950年代–1960年代

代表作Notable works

《孟麗君》(1955)、《新陳三五娘》(1952)、《恩情深似海》(1954)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1952

參演廈語片《新陳三五娘》

Appeared in the Amoy-dialect film Chen San and Fifth Madam

1955

在《孟麗君》反串成宗皇帝而走紅

Won popularity playing the emperor in Meng Lijun

1956

與妹妹鷺紅合演《紅樓夢》《黛玉歸天》

Co-starred with her sister Lou Hung in two 1956 films

1959

參演《楊乃武與小白菜》等,以主角或配角身分參演近三十部廈語片。

Appeared in Yang Naiwu and Little Cabbage, taking leading or supporting roles in close to thirty Amoy-dialect films.

影響與傳承 Impact & Legacy

繁體中文

鷺芬是廈語片時期反串男角的代表人物,1955年《孟麗君》的成功為她打開一連串反串演出之門,也讓廈門語電影多了一種「女演男」的戲路;她與妹妹鷺紅同台,串連起五十年代廈語片由盛轉衰的過程。

English

Lou Fen was a representative cross-dressing performer of the Amoy-dialect cinema; the success of Meng Lijun in 1955 opened a run of male roles for her and added a 'woman playing man' line to Amoy-dialect films, while her appearances with her sister Lou Hung traced that cinema's passage from heyday to decline in the 1950s.

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