文化藝術人物 / Cultural figure

劉恩甲

大字係領域(由已登記職業/領域派生),唔係姓氏。

Liu Enjia

1916–1968

領域:藝術家

繁體中文

劉恩甲(1916–1968),河北省鹽山縣人,幼年隨家人往來吉林、天津,後肄業於哈爾濱商業專科學校。1937年,他考入株式會社滿洲映畫協會,首部參演作品為《壯志燭天》,此後與身形瘦削的張叔達拍檔,被觀眾稱為「滿映的勞來與哈代」。十年間他主演約二十五部影片,包括《蜜月快車》(1938)與《田園春光》(1938),成為滿映的當家小生之一;這段時期正是該廠大量投產的日子,一肥一瘦的組合在東北頗受歡迎。抗戰結束後,他先任職北平「中電三廠」及「長制」,1947年轉投中電三廠,未幾應導演張駿祥之邀,1949年來港參演永華影業公司出品的《火葬》,自此留港拍戲,並憑《拜金的人》(1952)漸為本地觀眾認識。1950年代初香港國語片廠正值重整,這批由內地南來的演員,正好填補片廠對性格演員與諧角的需求。1956年,他正式加盟國際電影懋業有限公司(後改組為國泰機構〔香港〕〔一九六五〕有限公司),專演喜劇諧角,參演《金蓮花》(1957)、《情場如戰場》(1957)、《兩傻大鬧太空》(1959)、《星星.月亮.太陽》(1961)等片。他在《南北和》(1961)中與梁醒波搭檔,該片以南北文化差異為題材,一北一南的配搭正是全片笑點的所在,其演出最為成功,也成為他為人熟知的代表作。他身材魁梧、聲線沉厚,動靜之間自帶憨厚的喜感,在國泰的群戲中常負責調劑節奏。他最後一部作品為國泰出品的《大丐俠》(1968)。1968年4月25日,他因心臟病發在香港逝世,終年五十二歲。

English

Liu Enjia (1916–1968) was born in Yanshan county, Hebei, and spent his childhood between Jilin and Tianjin before leaving Harbin's commercial college without graduating. In 1937 he was admitted to the Manchuria Film Association, making his screen debut in Zhi Zhu Zhu Tian; paired with the slim Zhang Shuda, the two were nicknamed the Laurel and Hardy of Manchuria. Over ten years he starred in about twenty-five pictures, among them Honeymoon Express (1938) and Spring in the Fields (1938), becoming one of the studio's leading young actors during a period of heavy output. After the war he worked at the No. 3 studio of the Central Film Enterprise and Changzhi in Beiping; in 1947 he moved to the No. 3 studio and was soon invited by director Zhang Junxiang to come to Hong Kong in 1949 for Yong Hwa's Cremation, staying on locally and becoming known to audiences through The Gold-Diggers (1952). As Hong Kong's Mandarin studios reorganised in the early 1950s, actors arriving from the mainland like him helped fill the demand for character and comic players. In 1956 he formally joined International Films and General Investment (later reorganised as Cathay), specialising in comic supporting roles in The Golden Lotus (1957), Battle of the Love Field (1957), Two Fools in Space (1959) and Stars, Moon, Sun (1961). His most successful turn came in The North and South United (1961), a comedy built on north-south cultural differences, in which he played opposite Leung Sing-por. Burly with a deep voice, he carried a gentle, unforced humour and often set the rhythm of the studio's ensemble scenes. His last film was Cathay's The Great Beggar (1968). On 25 April 1968 he died in Hong Kong of a heart attack, aged fifty-two.

人物小檔 Profile

職業Occupation

演員河北省鹽山縣人

年期Active period

1916–1968

代表作Notable works

《火葬》《拜金的人》《金蓮花》《情場如戰場》《南北和》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1937

考入株式會社滿洲映畫協會,首部參演作品為《壯志燭天》

Joined the Manchuria Film Association, first appearing in Zhi Zhu Zhu Tian

1949

應導演張駿祥之邀來港,參演永華影業的《火葬》

Came to Hong Kong at director Zhang Junxiang's invitation for Yong Hwa's Cremation

1956

加盟國際電影懋業有限公司(後改組為國泰),專演喜劇諧角

Joined International Films (later Cathay) and specialised in comic supporting roles

1961

參演《南北和》,與梁醒波搭檔,演出最為成功

Gave his most successful performance in The North and South United opposite Leung Sing-por

影響與傳承 Impact & Legacy

繁體中文

劉恩甲由滿洲映畫走到香港永華、國泰,一生橫跨中國早期電影與香港國語片兩個階段。他擅演的喜劇諧角為國泰群戲添上生活感與幽默,是1950至60年代香港國語片常見的綠葉面孔,也見證了戰後影人南來的一條路徑。

English

Moving from the Manchuria Film Association to Yong Hwa and Cathay in Hong Kong, Liu Enjia spanned both early Chinese cinema and the Mandarin pictures of postwar Hong Kong. His comic supporting roles gave life and humour to Cathay's ensemble films, and he stands as one of the familiar character faces of Hong Kong Mandarin cinema in the 1950s and 1960s.

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