文化藝術人物 / Cultural figure

李菁

大字係領域(由已登記職業/領域派生),唔係姓氏。

Li Ching

1948年–2018年

領域:藝術家

繁體中文

李菁本名李國瑛,1948年11月8日生於上海,幼時隨家人遷居香港。就讀中學期間她考進邵氏兄弟(香港)有限公司的南國實驗劇團第二期訓練班,1963年加盟,首度亮相於《寶蓮燈》(1965),公司為她取藝名李菁;此前她在《萬花迎春》(1964)、《玉堂春》(1964)演閒角,再於《血手印》(1964)、《雙鳳奇緣》(1964)演戲份較重的角色,至《魚美人》(1965)晉身主角,並憑此片獲第十二屆亞洲影展最佳女主角,年僅十七,被稱為「娃娃影后」,由此展開燦爛星途。她早年主要演出古裝片,歌唱雖非所長,卻與凌波合作《魚美人》、《西廂記》(1965)、《三笑》(1969)等黃梅調電影,又與新人蕭湘合演《女巡按》(1967)。其後她逐步轉拍時裝片,先在《野姑娘》(1966)、《菁菁》(1967)扮村姑,再於《珊珊》(1967)演任性的都市少女,並在《花月良宵》(1968)載歌載舞,該片成為當年最賣座的國語片。《娃娃夫人》(1972)為她在亞洲影展贏得最受歡迎女星殊榮。從影以來她一直與邵氏合作,戲路不斷拓闊,自《鐵手無情》(1969)後數度參演張徹的作品,包括《死角》(1969)、《保鏢》(1969)與《新獨臂刀》(1971),另拍其他導演的武打片如《餓狼谷》(1970)、《冰天俠女》(1971),角色動靜兼備;拍攝《豪俠傳》(1969)時她親身上陣,跌傷左足,休養近半年始復工。之後她演過艷情片《丹麥嬌娃》(1973)、《蕩女奇行》(1973)與喜劇《雙星伴月》(1975)。1976年她告別邵氏,赴台灣拍片,演出《筧橋英烈傳》(1977)、《密密相思林》(1978),並與凌波再度合作《新紅樓夢》(1978)。她亦銳意發展製片,1978年與導演羅馬合組長天電影(香港)有限公司,推出《追》(1978)並任出品人;另創辦萬隆影業(香港)有限公司,出品《天降橫財》(1979)、《蛇形醉步》(1980),親任監製。八十年代初她淡出娛樂圈,轉營投資,2018年2月在香港辭世。

English

Li Ching, born Li Guoying in Shanghai on 8 November 1948, moved to Hong Kong with her family as a child. While in secondary school she was admitted to the second training class of Shaw Brothers' Southern Drama Group, joining the company in 1963. She first appeared in The Lotus Lamp (1965), taking the stage name Li Ching, after small roles in The Dancing Millionaires (1964) and The Story of Sue San (1964) and larger ones in The Crimson Palm and The Female Prince (both 1964). Landing the lead in The Mermaid (1965) brought her the Best Actress prize at the 12th Asian Film Festival at just seventeen, earning her the nickname 'Baby-faced Queen'. Though not a trained singer, she appeared with Ivy Ling Po in huangmei diao films such as The West Chamber (1965) and The Three Smiles (1969). She moved into contemporary films with Sweet and Wild (1966), Susanna (1967) and the top-grossing musical Hong Kong Rhapsody (1968), and won Most Popular Actress at the Asian Film Festival for The Merry Wife (1972). After The Invincible Fist (1969) she worked several times with director Chang Cheh, and injured her left foot performing a stunt in Killers Five (1969). She left Shaw Brothers in 1976, made films in Taiwan, and co-founded Long Horizon Film with director John Lo Ma in 1978. She also ran Million Film, producing Big Leap Forward (1979) and Snake Deadly Act (1980). She withdrew from the industry in the early 1980s and died in Hong Kong in February 2018.

人物小檔 Profile

職業Occupation

演員、監製、出品人

年期Active period

1948年–2018年

代表作Notable works

《寶蓮燈》《萬花迎春》《玉堂春》《血手印》《雙鳳奇緣》《魚美人》

獎項及榮譽Awards & honours

1965年第12屆亞洲影展最佳女主角;1972年第18屆亞洲影展最受歡迎女星

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1965

憑《魚美人》獲第十二屆亞洲影展最佳女主角,年僅十七獲封「娃娃影后」。

Won Best Actress at the 12th Asian Film Festival for The Mermaid at just seventeen, earning the 'Baby-faced Queen' label.

1972

憑《娃娃夫人》獲亞洲影展最受歡迎女星殊榮。

Named Most Popular Actress at the Asian Film Festival for The Merry Wife.

1978

與導演羅馬合組長天電影(香港)有限公司,兼任出品人。

Co-founded Long Horizon Film (Hong Kong) Limited with director John Lo Ma, also serving as executive producer.

影響與傳承 Impact & Legacy

繁體中文

李菁十七歲即登上亞洲影展影后,成為邵氏1960年代最耀眼的新星之一,「娃娃影后」之名開創了少女擔正主角的風氣。她由古裝黃梅調到時裝歌舞、再到武打與艷情片的戲路轉變,反映了邵氏片廠時期女星的多元發展。她後來自立公司兼任出品人與監製,是同期少數走到幕後的女演員。

English

Winning an Asian Film Festival best actress award at seventeen made Li Ching one of Shaw Brothers' brightest stars of the 1960s, and her 'Baby-faced Queen' label helped open the way for young actresses to carry leading roles. Her shifts from period huangmei diao to contemporary musicals, martial arts and erotic films mirrored the versatile paths of studio-era actresses. She later set up her own companies as executive producer and producer, among the few actresses of her day to move behind the camera.

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