文化藝術人物 / Cultural figure

羅志雄

大字係領域(由已登記職業/領域派生),唔係姓氏。

Law Chi Hung

1912年–1991年

領域:藝術家 · 作家與觀點論述者

繁體中文

羅志雄原名羅光宗,另有藝名羅集羣,廣東中山人,1912年生。他早年習粵劇,是紅褲子出身。1937年他來港加入大觀聲片有限公司任副導演,同年首執導筒,拍攝粵語電影《無冠皇帝》(1937)。他畢生導演逾四十部作品,其中自編自導的達二十五部;與湯曉丹合導的抗戰電影《小廣東》(1940)與《小老虎》(1941)最為著名,成為1940及1941年的賣座冠軍。戰後他從桂林回港,編導《鐵膽》(1947)、《黃飛鴻傳大結局》(1951)等粵語片,並在《望穿秋水》(1948)參與演出。五十年代初他往廣州任廣東粵劇院導演,1957年返港加入新聯影業公司,隨即拍攝《合珠記》、《包公奇案灰闌計》、《包公三審血掌印》三部包公戲,同年又編導芳艷芬主演的《洛神》,以擅導戲曲片聞名。新聯後來以鴻圖影業公司名義拍攝潮語戲曲片,由他相繼導演《蘇六娘》(1960)、《告親夫》(1961)與《乳燕迎春》(1962)。其中廣東潮劇院第一團主演的《蘇六娘》在香港與東南亞賣座,帶起潮語戲曲片的興旺。他其後執導《蘭貞鬧嚴府》(1962),又導演潮語片《嚴蘭貞敲破玉花瓶》(1962)、《寶蓮燈》(1963)、《湘子橋》(1965)等。陳楚蕙的名作《碧玉簪》(1962)與《呂蒙正》(1963)亦由他執導;最後一部導演作品為《抗敵風雲》(1968)。他導演作風嚴謹,六十年代中期因健康問題淡出影壇,1991年2月6日在香港病逝。堂弟羅君雄、兒子羅基石、侄兒羅熾均為電影導演。

English

Law Chi-hung, born Law Kwong-chung and also known as Law Chap-kwan, was a native of Zhongshan, Guangdong, born in 1912. Trained in Cantonese opera from a young age, he came to Hong Kong in 1937 and joined Grandview Film Company as an assistant director, directing his own first Cantonese film, The Uncrowned Emperor, the same year. He directed more than forty films in his career, twenty-five of which he also wrote. His best-known works were the war films Little Canton (1940) and Little Tiger (1941), co-directed with Tang Xiaodan, each the year's top box-office hit. Returning from Guilin after the war, he wrote and directed Cantonese films including The Iron Gallant (1947), and appeared in Wait with Anxious Eyes (1948). In the early 1950s he went to Guangzhou as a director for the Guangdong Cantonese Opera Theatre, then returned to Hong Kong in 1957 to join the Sun Luen Film Company, where he made three Judge Bao operas and directed Fong Yim-fun's The Goddess of the River Luo, earning a reputation for opera films. Sun Luen later made Chaozhou-dialect opera films under the Hung To banner, for which he directed Su Liu Niang (1960), Accusing the Husband (1961) and Swallows in Spring (1962). His Su Liu Niang, performed by the Guangdong Chaozhou Opera Troupe, was a hit in Hong Kong and Southeast Asia and sparked a Chaozhou opera film boom. He went on to direct such Chaozhou films as The Lotus Lantern (1963) and Xiangzi Bridge (1965). His last film was Storm of Resistance (1968). He withdrew from cinema in the mid-1960s due to ill health and died in Hong Kong on 6 February 1991. His cousin Law Kwan-hung, son Law Kei-sek and nephew Law Chi were all film directors.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1912年–1991年

代表作Notable works

《無冠皇帝》《小廣東》《小老虎》《鐵膽》《黃飛鴻傳大結局》《蘇六娘》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1937

來港加入大觀聲片公司任副導演,同年執導《無冠皇帝》。

Joined Grandview as an assistant director and directed his first film, The Uncrowned Emperor.

1940

與湯曉丹合導抗戰片《小廣東》,成為該年賣座冠軍。

Co-directed the war film Little Canton with Tang Xiaodan, the year's top box-office hit.

1960

執導潮語戲曲片《蘇六娘》,在香港及東南亞賣座。

Directed the Chaozhou opera film Su Liu Niang, a hit in Hong Kong and Southeast Asia.

影響與傳承 Impact & Legacy

繁體中文

羅志雄一生導演逾四十部影片,尤以潮語戲曲片影響深遠。1960年他執導的《蘇六娘》在香港及東南亞賣座,帶起潮語戲曲片的興旺,其後《告親夫》、《寶蓮燈》等片延續這股熱潮,使潮劇透過電影接觸南洋的潮籍觀眾,也為香港影壇開拓了方言片的市場。

English

Directing more than forty films, Law Chi-hung left his deepest mark on Chaozhou-dialect cinema. His 1960 Su Liu Niang was a hit in Hong Kong and Southeast Asia and sparked a Chaozhou opera film boom, followed by titles such as Accusing the Husband that carried Teochew opera to overseas audiences and opened a dialect-film market for Hong Kong.

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