文化藝術人物 / Cultural figure

靚次伯

大字係領域(由已登記職業/領域派生),唔係姓氏。

Lan Chi Pak

1904年–1992年

領域:藝術家

繁體中文

原名黎松柏,書名黎國祥,又名黎次伯,廣東新會人,喺廣州出生。排行第四,粵劇界尊稱佢為四叔。自幼喜愛粵劇,16歲開始跟隨三哥新太子卓到寰球樂戲班學戲,後拜靚大方為師,並以文武生朱次伯為學習對象,故後來改藝名為靚次伯。首次當第三武生係喺祝華年,之後年升一級,19歲喺頌太平擔任正印武生。曾加入人壽年,人壽年解散後,同靚少佳等四人合組勝壽年。早期主演嘅首本戲有《伍員夜出昭關》、《四郎探母》、《沙陀國借兵》、《六郎罪子》、《龍虎渡姜公》等。1936年遠赴美國登台,為期三年零九個月。返港後重組勝壽年。1941年同廖俠懷、新馬師曾等另組勝利年。約半年後香港淪陷,被迫遷返廣州,同羅品超、陳艷儂等組班演出兩個多月後,加入太上劇團往澳門演出。不久加入新聲劇團,同任劍輝、歐陽儉、陳艷儂等自任班主,大受歡迎。陸續加盟過嘅著名粵劇團包括新聲、光華、大鳳凰(作品有《十奏嚴嵩》、《生包公夜審郭槐》)、鴻運(作品有《富士山之戀》)等。1956年仙鳳鳴劇團成立,成為不可或缺嘅台柱,演出嘅名劇有《帝女花》、《紫釵記》、《蝶影紅梨記》等。以精湛嘅武生唱功同功架聞名,喺《六國大封相》中嘅「坐車」功架,數十年來無人能及,有「武生王」之稱。唱鬚生沉實之拉腔固見長,而唱慷慨激昂嘅霸腔亦極到家(如〈斬韓信〉、〈霸王妖姬〉)。又能唱撇喉,都擅長南音同龍舟。同名伶張瓊仙合唱嘅〈國魂〉,音調低沉悲壯,韻味十足。1940年喺美國期間,參演電影《萬里尋夫》。喺香港演出過一百四十七部電影,包括《帝苑春心化杜鵑》(1951)、《生包公夜審奸郭槐》(1952)、《帝女花》(分別有1959年同1976年版本)、《紫釵記》(分別有1959年同1977年版本)等。此外,喺一些改編自粵劇劇目嘅戲曲片中,演出令人印象深刻嘅有《十奏嚴嵩》(1952)、《三娘教子》(1958)、《大紅袍》(1965)等。喺《韓湘子雪夜過情關》(1958)一片表演嘅「雪擁藍關馬不前」功架,亦係佢嘅絕技之一。到咗八十年代,仍參與雛鳳鳴劇團嘅演出,對後輩扶持備至;並喺新加坡納朱振邦為入室弟子。1992年病逝喺香港。

English

Lan Chi Pak, real name Lai Chung-pak and also named Lai Chi-pak, was born in Guangzhou in 1904 to a Xinhui, Guangdong family. Ranked fourth at home and respectfully called 'Uncle Fourth' in Cantonese opera circles, he took up the art at sixteen, following his third elder brother Sun Tai Tze Cheuk into the Wan Kau Lok troupe, later studying under Lan Tai Fong while modelling himself on the wenwusheng Chu Chi-pak, from whose combined names he drew his stage name. He first played third wusheng in the Chuk Wa Lin troupe and at nineteen became lead wusheng in the Chung Tai Ping troupe. Joining the Shing Sou Lin troupe and others, he appeared in such popular works as The Impeachment of Yan Song, Judge Bao's Night Trial of the Wicked Guo Huai, The Butterfly Lovers and Romance of Mount Fuji. In 1936 he toured the United States for three years and nine months, and in 1940, while abroad, acted in the film Searching for My Husband. He performed in more than 147 Hong Kong films, including A King Speaks His Heart in the Cuckoo's Song (1951) and The Impeachment of Yim Sung (1952). In 1956, when the Sin Fung Ming troupe was formed, he became its indispensable pillar, appearing in Princess Cheung Ping, The Legend of the Purple Hairpin and other classics. Renowned for his wusheng singing and stagecraft and for the unmatched 'riding the chariot' posture in Prime Minister of Six States, he earned the title 'King of Wusheng'. He was equally admired for his deep, stirring beard-role singing, his powerful dominant mode, his falsetto, and his Southern and dragon-boat songs. In the 1980s he still performed with the Chor Fung Ming troupe, generously supporting younger artists, and took Christopher Choo of Singapore as his disciple. He died in Hong Kong in 1992.

人物小檔 Profile

職業Occupation

演員

年期Active period

1904年–1992年

代表作Notable works

《伍員夜出昭關》《四郎探母》《沙陀國借兵》《六郎罪子》《龍虎渡姜公》《十奏嚴嵩》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1936

遠赴美國登台演出,為期三年零九個月。

Toured the United States for three years and nine months.

1956

仙鳳鳴劇團成立,成為不可或缺的台柱,演出《帝女花》、《紫釵記》等名劇。

With the founding of the Sin Fung Ming troupe he became its indispensable pillar, appearing in classics such as Princess Cheung Ping and The Legend of the Purple Hairpin.

1980年代

仍參與雛鳳鳴劇團演出,扶掖後輩,並在新加坡納朱振邦為入室弟子。

Still performed with the Chor Fung Ming troupe, generously supporting younger artists, and took Christopher Choo of Singapore as his disciple.

影響與傳承 Impact & Legacy

繁體中文

靚次伯以「武生王」之名,把粵劇武生行當嘅唱功同功架推至高峰,《六國大封相》嘅「坐車」身段數十年來無人能及,成為後輩學習嘅典範。佢由戰前嘅勝壽年、新聲,到1956年後成為仙鳳鳴劇團嘅台柱,令《帝女花》、《紫釵記》等名劇得以喺舞台上定型並流傳。佢喺一百四十多部香港電影中演出,把粵劇身段帶上銀幕;八十年代仍參與雛鳳鳴劇團並收徒傳藝,對粵劇傳承影響深遠。

English

Lan Chi Pak, honoured as the 'King of Wusheng', raised the singing and stagecraft of the Cantonese opera civil-and-military male role to its peak, his unmatched 'riding the chariot' posture in Prime Minister of Six States becoming a model for later performers. From the pre-war Shing Sou Lin troupe to his role as the pillar of the Sin Fung Ming troupe after 1956, he helped fix and pass on such classics as Princess Cheung Ping and The Legend of the Purple Hairpin. Appearing in more than 140 Hong Kong films, he carried operatic movement onto the screen, and in the 1980s still performed with the Chor Fung Ming troupe and taught disciples, deeply influencing the transmission of Cantonese opera.

同類人物 Same category

仲有 763 位同界別人物未列出;睇晒 文化藝術人物 全部名單 →

資料來源 Sources

← 返回人物目錄

↑