文化藝術人物 / Cultural figure

何漸深

大字係界別(由已登記職業/領域派生),唔係姓氏。

Jenson Ho

1962年–

繁體中文

何漸深1962年生,早年完成學業後進修美術。1979年初,佢加入邵氏片場美術部雕塑組,較突出嘅作品有《蠱》(1981)中嘅飛降頭與古屍等道具。八十年代初邵氏開設特技組,佢隨部門主管陳嘉上參與《星際鈍胎》(1983)嘅製作,主力製作太空船模型。1983年,佢隨師傅黃基鴻轉投新藝城,繼續設計及製作特別道具,包括《陰陽錯》(1983)中嘅鑽石音樂盒、主角飛墮一場嘅樓宇模型,以及《最佳拍檔大顯神通》(1983)中嘅多功能組合機械人同《愛神一號》(1985)中嘅帆船模型。呢啲作品多數以手工雕塑同倒模製成,喺電腦特效普及之前,係港片呈現奇觀場面嘅主要手段。其他曾參與特技模型製作嘅電影有《最佳拍檔女皇密令》(1984)、《恭喜發財》(1985)、《妖魔道》(1991)同《大內密探零零發》(1996)等。佢亦涉足特技化妝,曾任電影工作室嘅特技部門主管,為該公司同新藝城多部電影製作道具及特技化妝,並於1989年自組特技製作公司,為電影及其他媒體製作實物立體造型。曾參與特技化妝嘅電影有《胭脂扣》(1988)中年老十二少嘅妝容、《漫畫奇俠》(1990)、《開心鬼救開心鬼》(1990)、《沉默的姑娘》(1994)、《超級無敵追女仔2之狗仔雄心》(1997)、《炭燒凶咒》(2000)、《極速殭屍》(2000)同《枕邊凶靈》(2002),亦曾為《左麟右李之我愛醫家人》(2006)主理譚詠麟嘅肥胖同年老妝容。淡出製作後,佢專注兒童美術教育工作。

English

Born in 1962, Jenson Ho trained in art after finishing school and joined the sculpture section of Shaw Brothers' art department in early 1979, where his notable props included the flying-head curse and the ancient corpse in Gu (1981). When Shaw set up a special-effects unit in the early 1980s he worked under department head Gordon Chan on Star Dumb (1983), chiefly building the spaceship models. In 1983 he followed his mentor Wong Kei-hung to Cinema City, continuing to design and make special props, among them the diamond music box and the falling-building model in Esprit d'Amour (1983), the multi-function robot in Aces Go Places II (1983) and the yacht model in Cupid One (1985). Such pieces were mostly hand-sculpted and cast, and before computer effects became common they were the main means by which Hong Kong films staged spectacles. Other films on which he worked on effects models include Aces Go Places III (1984), Kung Hei Fat Choy (1985), Devil's Vendetta (1991) and Forbidden City Cop (1996). He also took up special-effects make-up, heading the effects department of Film Workshop and making props and effects make-up for its films and for Cinema City; in 1989 he founded his own effects company making three-dimensional physical figures for film and other media. His make-up credits include the aged Twelve Young Master in Rouge (1988), Comic Hero (1990), Happy Ghost IV (1990), Silent Lover (1994), Those Were the Days 2 (1997), the horror films Charcoal-burn Curse and Vampire Zoom (both 2000) and The Victim (2002), and in I Love Family (2006) he created the fat suit and ageing make-up for Alan Tam. After stepping back from production he turned to children's art education.

人物小檔 Profile

職業Occupation

模型製作師、特技化妝師

年期Active period

1962年–

代表作Notable works

《蠱》《星際鈍胎》《陰陽錯》《最佳拍檔大顯神通》《愛神一號》《最佳拍檔女皇密令》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1979

加入邵氏片場美術部雕塑組。

Joined the sculpture section of Shaw Brothers' art department.

1983

隨師傅黃基鴻轉投新藝城,製作《陰陽錯》《最佳拍檔大顯神通》等片的特技道具。

Followed his mentor Wong Kei-hung to Cinema City, making effects props for films such as Esprit d'Amour and Aces Go Places II.

1989

自組特技製作公司,為電影及其他媒體製作實物立體造型。

Founded his own effects company making three-dimensional physical figures for film and other media.

影響與傳承 Impact & Legacy

繁體中文

何漸深係香港實物特效同特技化妝嘅幕後工匠,在邵氏與新藝城期間製作咗《星際鈍胎》嘅太空船、《最佳拍檔大顯神通》嘅機械人等模型;1989年自組公司後,佢為《胭脂扣》等片設計特技化妝,喺電腦特效未普及年代撐起港片嘅奇觀場面,後轉向兒童美術教育。

English

Jenson Ho is a behind-the-scenes craftsman of Hong Kong's physical effects and effects make-up, having made the spaceship of Star Dumb and the robot of Aces Go Places II while at Shaw and Cinema City; after founding his own company in 1989 he designed effects make-up for films such as Rouge, sustaining Hong Kong cinema's spectacles in the years before computer effects took hold, and later turned to children's art education.

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