文化藝術人物 / Cultural figure

何亦曾

大字係領域(由已登記職業/領域派生),唔係姓氏。

Ho Yik Tsang

1955年起活躍

領域:藝術家 · 作家與觀點論述者

繁體中文

何亦曾(Ho Yik Tsang)是香港漢劇界著名的業餘演員(票友),熱愛戲劇。戰後他曾與陳遜子、姚景銓、黃麗生等合作,業餘參與香港潮商互助社音樂部的漢劇組,經常粉墨登場;他並非職業戲班出身,而是以票友身分投入戲劇,這在當時的潮語片圈並不罕見。他自1950年代中葉起投身潮語電影,以演員為主,飾演丑角(潮劇中的丑生)居多。他首部參演的作品是鮀江影業公司的創業作、亦是香港首部潮語片《王金龍》(1955),該片由往後合作頻繁的陳煥文執導。他拍過多部東山影業公司的出品,例如《張古董借妻》(1961)和《雙駙馬》(1961)。 1960年起,他參與約十部潮語電影的幕後工作,在《蓮香戲鞋》(1960)初任副導,翌年在《林桂蘭》(1961)首任編劇,此後《孔雀東南飛》(1962)、《李子長活畫》(1963)等五部作品均由新天彩潮劇團演出。1955至1965年間他參演逾三十部潮語片,作品包括《蘇六娘》(1961)、《豬八戒招親》(1965)等,較多與夏帆、陳楚蕙、莊雪娟、丁楚翹等合作。他演過貪官、富豪、丐頭、鴇母等多種角色,尤以傻角最為人稱道,代表作有《後母心》(1960)、《金玉奴》(1961)、《擲嬌媚》(1963)、《借親配》(1963)等。他在潮語片的黃金期既能擔演丑角,又兼任編劇與副導演,是少數同時活躍於幕前幕後的參與者。1960年代末他加入昇藝潮劇團,除在港演出外,也不時到泰國、新加坡等地登台。

English

Ho Yik Tsang was an avid fan of operatic art and a noted amateur performer in Hong Kong's Han opera scene; after the war he worked with Chen Xunzi, Yao Jingquan and Huang Lisheng to revive the Han opera unit of the Hong Kong Chiu Chow Merchants Mutual Assistance Society's music division and performed with it regularly. From the mid-1950s he entered Chaozhou-dialect cinema, working mainly as an actor in clown roles. His first appearance was in The Story of Wang Jinlong (1955), the debut of Tuojiang Film Company and the first Chaozhou-dialect film made in Hong Kong, directed by Chan Wun-man, with whom he worked repeatedly. He appeared in numerous Tung Shan Film Company releases, including Zhang Gudong Borrows a Wife (1961) and The Two Consorts (1961). From 1960 he took on behind-the-scenes work on about ten dialect pictures, serving as assistant director on Fragrant Shoe (1960) and writing his first screenplay for Lin Guilan (1961); five later films, among them The Peacock Flies Southeast (1962) and Li Zichang Paints from Life (1963), were performed by the Sun Tin Choi troupe. Between 1955 and 1965 he appeared in more than thirty Chaozhou-dialect films, often opposite Ha Fan, Chan Chor-wai, Chong Suet-kuen and Ding Chor-kiu, playing officials, rich men, beggar chiefs and brothel madams but best known for his fool roles; his signature parts include The Stepmother (1960), Jin Yunu Beats Sense into Her Heartless Husband (1961), Throwing Coins at the Fairy Maidens (1963) and Wife in Disguise (1963). In the late 1960s he joined the Sing Ngai troupe, performing both in Hong Kong and in Southeast Asian regions such as Thailand and Singapore.

人物小檔 Profile

職業Occupation

演員、編劇

年期Active period

1955年起活躍

代表作Notable works

《王金龍》(1955)、《張古董借妻》(1961)、《孔雀東南飛》(1962)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1955

參演香港首部潮語片《王金龍》

Appeared in The Story of Wang Jinlong, the first Chaozhou-dialect film made in Hong Kong

1960

在《蓮香戲鞋》首次擔任副導演

Served as assistant director for the first time on Fragrant Shoe

1961

在《林桂蘭》首次擔任編劇

Wrote his first screenplay, for Lin Guilan

影響與傳承 Impact & Legacy

繁體中文

何亦曾由漢劇票友轉投潮語片,既是幕前丑角也是幕後編導,參與了香港潮語片由1955年起步到1960年代中期的黃金階段。他與新天彩潮劇團及東山、鮀江等公司的合作,令這批以東南亞潮籍觀眾為對象的方言電影得以量產。

English

Ho moved from amateur Han opera into Chaozhou-dialect cinema as both a comic screen actor and a behind-the-scenes writer-director, taking part in the dialect film boom from its 1955 beginnings to the mid-1960s. His work with the Sun Tin Choi troupe and studios such as Tung Shan and Tuojiang helped sustain a body of dialect pictures aimed largely at Teochew audiences in Southeast Asia.

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