文化藝術人物 / Cultural figure

方漢粧

大字係領域(由已登記職業/領域派生),唔係姓氏。

Fong Hon Chong

1938年起活躍

領域:藝術家

繁體中文

方漢粧(1938年3月29日生),廣東汕頭福合埕人。她十六歲加入汕頭市業餘百貨業劇組學潮劇,工花旦,曾在市內及下鄉演出傳統戲《拾玉鐲》、《趙匡胤》和新編現代戲《江秀卿》、《婦女代表》等。1959年3月她來港,隨即加入新天彩潮劇團,最初以演出盂蘭節神功戲為主,後來隨劇團涉足電影,成為該團電影的常任演員。她以藝名方葵參演《後母心》(1960)、《烈女忠魂》(1961);另以本名演出《蘆林會》(1960)、《掃窗會》(1961)、《薛剛反唐》(1962)、《穆桂英招親》(1962)等,從影以來共演出四十多部潮語片。她擅演反派,如《包公會李后》(1961)的奸妃、《釵頭鳳》(1961)的淫尼、《劉章下山》(1962)的呂后、《孔雀東南飛》(1962)的惡家姑,以及《叔鳴嫂冤》(1965)和《奇雙會》(1965)的刻薄繼母,演出尤其出色;偶爾也演柔弱受害者,如《恩仇記》(1962)的卜巧珍、《金殿辯本》(1966)的林氏,表演亦入木三分。1966年起,她先後隨新天彩、昇藝潮劇團赴泰國、新加坡演出,並曾於九十年代隨香港楚蕙潮劇團遠赴美國登台。她與潮劇小生陳楚蕙等長期合作,亦曾參與《春香傳》等劇目的演出與唱片錄音。她已退下舞台多年,現居香港。她由神功戲舞台走進潮語片,在四十多部作品中以奸妃、惡家姑等反派建立鮮明形象,所演人物多為中年以上女性,靠聲線、身段與眼神塑造性格,是1960年代香港潮劇與潮語片的重要綠葉演員。

English

Fong Hon Chong, a native of Fuhecheng in Shantou, Guangdong, joined an amateur department-store troupe in Shantou at sixteen to study Teochew opera as a young female lead, performing traditional pieces such as Picking Up the Jade Bracelet and Zhao Kuangyin as well as new modern plays both in the city and in the countryside. She came to Hong Kong in March 1959 and at once joined the Sun Tin Choi Teochew opera troupe, at first mostly performing ceremonial Yu Lan festival shows; as the troupe moved into film she appeared under the stage name Fong Kwai in Stepmother (1960) and A Loyal Martyr (1961), and under her own name in films such as Lu Lin Hui (1960), Sweeping the Window (1961), Xue Gang's Revolt (1962) and Mu Guiying Accepts a Suitor (1962), appearing in more than forty Chaozhou-dialect pictures in all. She was best known for villains: a treacherous imperial consort in Judge Bao Meets Empress Li (1961), a wanton nun in The Phoenix Hairpin (1961), the scheming Empress Lu in Liu Zhang Descends the Mountain (1962) and a cruel mother-in-law in The Peacock Flies Southeast (1962), as well as hard-hearted stepmothers in two 1965 films; she occasionally played frail victims as well, such as in the 1962 and 1966 pictures. From 1966 she toured Thailand and Singapore with the Sun Tin Choi and Sing Ngai troupes and in the 1990s travelled to the United States with the Hong Kong Chor Wai troupe. She has long since retired and lives in Hong Kong. Moving from ceremonial opera stages into Chaozhou-dialect cinema, she built a strong gallery of villain roles and became an important supporting player of the era.

人物小檔 Profile

職業Occupation

演員

年期Active period

1938年起活躍

代表作Notable works

《拾玉鐲》、《後母心》(1960)、《包公會李后》(1961)、《釵頭鳳》(1961)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1959

自汕頭來港,隨即加入新天彩潮劇團。

Moved from Shantou to Hong Kong and immediately joined the Sun Tin Choi Teochew opera troupe.

1960

以藝名方葵首登銀幕,參演《後母心》。

Made her screen debut under the stage name Fong Kwai in Stepmother.

1961

主演《包公會李后》的奸妃與《釵頭鳳》的淫尼等反派。

Played villains including a treacherous consort in Judge Bao Meets Empress Li and a wanton nun in The Phoenix Hairpin.

影響與傳承 Impact & Legacy

繁體中文

方漢粧由神功戲舞台走進潮語片,在四十多部作品中以奸妃、惡家姑等反派建立鮮明形象,成為新天彩潮劇團電影的重要綠葉;她1966年後隨團走訪泰國、新加坡及美國,是潮劇與潮語片在海外潮籍社群流通的一個具體例子。

English

Fong Hon Chong moved from ceremonial opera stages into Chaozhou-dialect films, building strong villain roles across more than forty pictures as a key supporting player in the Sun Tin Choi troupe's films. Her later tours of Thailand, Singapore and the United States show how Teochew opera and film circulated among overseas Teochew communities.

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