文化藝術人物 / Cultural figure

方浩源

大字係領域(由已登記職業/領域派生),唔係姓氏。

Fong%20ho Yuen

1949年–

領域:藝術家

繁體中文

廣東台山人,兒時隨父親來港居住。十六、七歲開始喺電子廠工作,並對攝影產生興趣,曾修讀職業訓練學校嘅攝影函授課程。其鄰居陳旭係嘉禾電影(香港)有限公司嘅資深劇照師,且專門跟隨李小龍拍攝硬照,故方浩源常常拜訪陳旭,協助沖印工作,尚未正式入行已有沖曬劇照同簽名造型照嘅經驗。1973年正式進入嘉禾當劇照師,起初不掛名地跟隨師傅陳旭,為多部嘉禾電影拍劇照同沖印照片。首部交由佢負責全片劇照嘅乃許冠文導演嘅《天才與白痴》(1975)。其他方浩源沒有正式掛名為劇照師嘅電影包括《半斤八両》(1976)、《賣身契》(1978)、《雜家小子》(1979)、《師弟出馬》(1980)、《摩登保鑣》(1981)、《奇謀妙計五福星》(1983)等。此外,佢都負責為嘉禾拍攝不同嘅業界活動,如春茗、香港電影金像獎頒獎典禮、香港電影導演會活動等,記錄現場實況,並常幫忙拍攝電影公司負責人、導演同影人嘅日常照片供宣傳部使用。方浩源同洪金寶同元家班稔熟,公餘時經常相約去潛水、駕船、露營等。由洪家班同成家班主導嘅電影大多會請佢出任劇照師,計有《省港旗兵》(1984)、《皇家師姐》(1985)、《警察故事》(1985)、《皇家女將》(1990)、《縱橫四海》(1991)等。洪金寶同成龍八、九十年代開拍一系列推出國際嘅動作片,方浩源不時遠征至外埠拍攝,如分別到西班牙、菲律賓同澳洲拍攝《快餐車》(1984)、《東方禿鷹》(1987)同《警察故事4之簡單任務》(1996)。由於佢熟水性,很多時會臨陣上馬,為武指充當潛水或跳水嘅動作替身。佢嘅潛水強項喺往昆士蘭拍攝《簡單任務》時最為關鍵,因為當時有潛水資格嘅龍虎武師不足,佢要兼任水底攝影師,下水協助導演唐季禮同主角成龍完成水底嘅動作場面。由2000年代起,佢除為香港電影拍劇照,亦出任內地以至合拍片嘅劇照師,重要作品包括《順流逆流》(2000)、《風流家族》(2002)、《神話》(2005)、《殺人犯》(2009)、《浮城》(2012)、中美合拍嘅《白幽靈傳奇之絕命逃亡》(2014)、《兄弟班》(2018)等。2012年,獲香港電影金像獎頒發「專業精神獎」,以表揚佢多年來對業界嘅貢獻。

English

Fong Ho-yuen, born in 1949 and a native of Taishan, Guangdong, moved to Hong Kong with his father as a child. As a teenager he worked in a factory, took a correspondence course in photography, and became close to his neighbour Chan Yuk, a senior still photographer at Golden Harvest who regularly shot stills of Bruce Lee; helping Chan process photographs gave Fong his grounding before he formally entered the trade. Joining Golden Harvest as a still photographer in 1973, he worked uncredited under Chan on many studio productions. His first film with full responsibility for the stills was Michael Hui's The Last Message (1975), followed by uncredited work on The Private Eyes (1976), The Contract (1978), Knockabout (1979), The Young Master (1980), Security Limited (1981) and Winners & Sinners (1983). Close to Sammo Hung and the Yuen Clan, he photographed their martial-arts films, including Long Arm of the Law (1984), Yes, Madam (1985), Police Story (1985), She Shoots Straight (1990) and Once a Thief (1991). Travelling overseas with them to Spain for Wheels on Meals (1984), the Philippines for Eastern Condors (1987) and Australia for First Strike (1996), he often doubled in diving scenes; on First Strike, with few qualified stunt divers available, he also served as underwater cinematographer for director Stanley Tong and Jackie Chan. From the 2000s he photographed Hong Kong, Mainland and co-production films such as Time and Tide (2000), The Myth (2005), Murderer (2009), Floating City (2012), the China-US co-production Outcast (2014) and House of the Rising Sons (2018). In 2012 he received the Professional Achievement Award at the Hong Kong Film Awards.

人物小檔 Profile

職業Occupation

劇照師、水底攝影師、演員

年期Active period

1949年–

代表作Notable works

《天才與白痴》《半斤八両》《賣身契》《雜家小子》《師弟出馬》《摩登保鑣》

獎項及榮譽Awards & honours

2012年第31屆香港電影金像獎專業精神獎

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1973

正式加入嘉禾電影公司當劇照師,最初不掛名跟隨師傅陳旭工作。

Joined Golden Harvest as a still photographer, initially working uncredited under his mentor Chan Yuk.

1996

赴澳洲拍攝《警察故事4之簡單任務》,因具潛水資格而兼任水底攝影師,協助完成水底動作場面。

On location in Australia for First Strike, he doubled as underwater cinematographer, his diving skills helping to complete the film's underwater action scenes.

2012

獲香港電影金像獎頒發「專業精神獎」,表揚其對業界的貢獻。

Received the Professional Achievement Award at the Hong Kong Film Awards for his contributions to the industry.

影響與傳承 Impact & Legacy

繁體中文

方浩源喺嘉禾做咗三十多年劇照師,為香港動作片嘅黃金年代留低大量影像,洪家班同成家班嘅代表作大多由佢掌鏡,成為研究呢類電影嘅重要視覺材料。佢憑潛水專長由劇照延伸至水底攝影同替身,《警察故事4之簡單任務》嘅水底場面正靠佢補上人才空缺。佢長期為電影公司拍攝宣傳照同業界活動實況,保存咗香港電影工業多個關鍵場合嘅紀錄。2012年嘅專業精神獎,肯定咗劇照、水底攝影等幕後工種嘅價值。

English

For over three decades at Golden Harvest, Fong Ho-yuen documented the golden age of Hong Kong action cinema, shooting many of the Sammo Hung and Jackie Chan stunt teams' key films and leaving a large visual record of the genre. His swimming skill took him beyond stills into underwater cinematography and doubling, filling a shortage of qualified divers on First Strike. He also photographed company publicity shots and industry events, preserving records of key moments in the local film industry. His 2012 Professional Achievement Award recognised the value of behind-the-scenes crafts such as still photography and underwater filming.

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