文化藝術人物 / Cultural figure

鄭伊健

大字係領域(由已登記職業/領域派生),唔係姓氏。

Ekin Cheng

1967年–

領域:藝術家

繁體中文

鄭伊健1967年生於香港,祖籍廣東恩平。1986年,他考進電視廣播有限公司藝員訓練班,期間拍攝飲品廣告而嶄露頭角。1987年他參加新秀歌唱大賽落選,同年演出首部電視劇《鐳射青春》(1987),並憑《燃燒歲月》(1990)、《蜀山奇俠之仙侶奇緣》(1991)漸為觀眾熟悉。1991年,他簽約博德曼音樂(香港)唱片公司,開始涉足樂壇。1992年,他接拍第一部電影《應召女郎1988之二現代應召女郎》,後為王晶羅致,演出《超級學校霸王》(1993)、《新英雄本色》(1994)、《廟街故事》(1995)等。1996年,他主演劉偉強執導、改編自漫畫的《古惑仔之人在江湖》,締造逾二千一百萬港元票房佳績,他演繹的黑幫人物陳浩南深受觀眾歡迎,躍登新一代銀幕偶像;他先後演出六集「古惑仔」系列,並於2018年與該系列班底合演《黃金兄弟》。此外,他與鄭秀文主演改編自漫畫的愛情片《百分百感覺》(1996)與《百分百啱FEEL》(1996),皆票房報捷,晉身具叫座力的男星之列。自1997年起,他先後與嘉禾電影(香港)有限公司及中國星集團有限公司簽訂演員合約,期間主演改編自漫畫的《風雲雄霸天下》(1998)與《中華英雄》(1999),演繹漫畫人物聶風與華英雄,多年後再演出《風雲II》(2009)。其主演的賣座電影還有《幻影特攻》(1998)、《決戰紫禁之巔》(2000)等。千禧年後,他演出動作片《東京攻略》(2000)、《暗戰2》(2001)、《三岔口》(2005),喜劇片《我老婆唔夠秤》(2002),詭異片《阿孖有難》(2004)及文藝片《親密》(2009);並在《九龍冰室》(2001)、《天行者》(2006)及《飛砂風中轉》(2010)飾演意欲退隱的黑道中人。2008年,他憑《第一誡》(2008)獲第12屆富川國際奇幻電影節最佳男主角,與余文樂同獲影帝。其他作品有《忠烈楊家將》(2013)、《分手100次》(2014)、《全力扣殺》(2015)、《三國殺·幻》(2018)等。

English

Ekin Cheng was born in Hong Kong in 1967 with ancestral roots in Enping, Guangdong. In 1986 he entered Television Broadcasts Limited's artiste training class and came to notice through a soft-drink commercial. Losing the 1987 New Talent Singing Contest, he nonetheless appeared that year in his first television drama, Shooting Star, and became familiar to audiences through A Time of Passion (1990) and The Legend of Zu: Fairy Couple (1991). Signed by BMG Hong Kong in 1991, he began a parallel singing career. In 1992 he made his film debut in The Call Girls 1988 II, and was recruited by Wong Jing for roles in Future Cops (1993), Return to a Better Tomorrow (1994) and Temple Street Story (1995). In 1996 he starred for director Andrew Lau in the comic-book adaptation Young and Dangerous, which took over HK$21 million and made his gangster character Chan Ho-nam a favourite with audiences, turning him into a new-generation screen idol; he went on to appear in six films of the series and reunited with the cast in Golden Job (2018). He also headlined the comic-based romances Feel 100% and Feel 100% Once More (both 1996) with Sammi Cheng, both box-office successes that confirmed his drawing power. From 1997 he signed acting contracts with Golden Harvest and later China Star, starring in the comic adaptations The Storm Riders (1998) and A Man Called Hero (1999) as the characters Whispering Wind and Hero Wah, before returning to the series with The Storm Warriors (2009). His other hits included The Intruder (1998) and The Duel (2000). After 2000 he appeared in action films such as Tokyo Raiders (2000), Running Out of Time 2 (2001) and Divergence (2005), the comedy My Wife Is 18 (2002), the thriller My Twin Brother (2004) and the drama Claustrophobia (2009), and played gangsters seeking to retire in Kowloon Ice House (2001), Walk with the Dragon (2006) and Once a Gangster (2010). In 2008 he shared the Best Actor prize at the 12th Puchon International Fantastic Film Festival for Rule Number One. Later works include Saving General Yang (2013) and Break Up 100 (2014).

人物小檔 Profile

職業Occupation

演員、歌手

年期Active period

1967年–

代表作Notable works

《鐳射青春》《燃燒歲月》《蜀山奇俠之仙侶奇緣》《應召女郎1988之二現代應召女郎》《超級學校霸王》《新英雄本色》

獎項及榮譽Awards & honours

第12屆富川國際奇幻電影節最佳男主角(《第一誡》,2008)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1987

演出首部電視劇《鐳射青春》,開始為觀眾認識。

Appeared in his first television drama, Shooting Star, beginning to be recognised by audiences.

1996

主演《古惑仔之人在江湖》飾演陳浩南,票房逾二千一百萬港元。

Starred as Chan Ho-nam in Young and Dangerous, which grossed over HK$21 million.

2008

憑《第一誡》獲第12屆富川國際奇幻電影節最佳男主角,與余文樂同獲影帝。

Won Best Actor at the 12th Puchon International Fantastic Film Festival for Rule Number One, sharing the prize with Shawn Yue.

影響與傳承 Impact & Legacy

繁體中文

鄭伊健憑《古惑仔》系列的陳浩南一角在1996年躍升銀幕偶像,該片逾二千一百萬港元票房帶動漫畫改編電影熱潮;他其後在《風雲雄霸天下》等片演繹漫畫人物,並在《九龍冰室》、《天行者》中塑造沉鬱的江湖形象,成為九十年代末香港影壇的代表面孔。

English

His turn as Chan Ho-nam in the Young and Dangerous series made Ekin Cheng a screen idol in 1996, and the film's HK$21 million gross helped fuel a wave of comic-book adaptations. He went on to embody comic heroes such as The Storm Riders' Whispering Wind and to craft a brooding underworld persona in films like Kowloon Ice House, becoming a defining face of late-1990s Hong Kong cinema.

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