文化藝術人物 / Cultural figure

張西美

大字係領域(由已登記職業/領域派生),唔係姓氏。

Edith Cheung

1986年至今

領域:藝術家

繁體中文

張西美(Edith Cheung)祖籍廣東順德,香港出生。1982年她在香港理工學院時裝設計系畢業,之後在歐美從事時裝設計。1980年代後期回港,經美術指導梁華生介紹加入電影圈,跟隨胡金銓導演為《笑傲江湖》(1990)進行前期服裝設計工作,並以此片提名第27屆金馬獎最佳造型設計。她憑嚴浩導演的《滾滾紅塵》(1990)榮獲第27屆金馬獎最佳造型設計、最佳美術設計(與廖鳳平共同獲得)兩項大獎。1990年她設立「服飾工作隊有限公司」,為影視與舞台服裝提供服務,先後為超過250部電影提供服飾資料研究與製作;香港電影金像獎自1993年起設立最佳服裝造型設計獎,1993至1998年間的三十五部提名作品中,服飾工作隊服務了其中二十六部,當中有八部獲獎,包括《笑傲江湖II 東方不敗》(1992)、《白髮魔女傳》(1993)、《東邪西毒》(1994)、《宋家皇朝》(1997)等。她曾任香港電影美術學會副會長。離開影圈後,張西美在2004至2014年設立布料工作室「高呼希雲」(音譯自英文店名 Cloth Haven),定期舉辦紡織工作坊、展覽與跳蚤市場;2010至2015年出任上海金澤工藝社紡織部總監,管理五千多件中國紡織與服飾藏品。她曾為《明報周刊》撰寫「布頭布美」專欄,發表一百二十多篇文章,其後集結成書,並為中國絲綢博物館、香港知專設計學院、CHAT 六廠紡織文化藝術館與深圳設計互聯等機構擔任顧問與策展人。近年她仍以紡織品研究專家和策展人的身分,與博物館及院校合作推廣服飾文化。

English

Edith Cheung is a Hong Kong costume and production designer, textile researcher and curator. A graduate of the Hong Kong Polytechnic's fashion design department in 1982, she worked in fashion in Europe and America before returning to Hong Kong in the late 1980s, when the art director Leung Wah-sang brought her into film. Under the director King Hu she did the preliminary costume work for Swordsman (1990), which brought her a Golden Horse nomination, and for Yim Ho's Red Dust (1990) she won both Best Art Direction (shared with Liu Fung-ping) and Best Costume Design at the 27th Golden Horse Awards. In 1990 she founded the Fashion Workshop Ltd, which supplied costume research and production for more than 250 films. The Hong Kong Film Awards introduced a Best Costume Design prize in 1993, and between 1993 and 1998 her workshop served twenty-six of the thirty-five nominated films, eight of which won, among them Swordsman II (1992), The Bride with White Hair (1993), Ashes of Time (1994) and The Soong Sisters (1997). She served as vice-chairman of the Hong Kong Film Arts Association. Leaving the film world, she ran a fabric studio called Cloth Haven from 2004 to 2014, wrote more than 120 articles for a Ming Pao Weekly column between 2010 and 2015, and from 2010 to 2015 was head of the textile department of the Shanghai Jin Ze Arts Centre, overseeing over five thousand textile and costume pieces. She has advised and curated for institutions including the China National Silk Museum, the Hong Kong Design Institute, CHAT and the Shenzhen Design Society.

人物小檔 Profile

職業Occupation

服裝指導、美術指導、紡織品研究專家、策展人

年期Active period

1986年至今

代表作Notable works

《笑傲江湖》《滾滾紅塵》《笑傲江湖II 東方不敗》《白髮魔女傳》《東邪西毒》《宋家皇朝》

獎項及榮譽Awards & honours

第27屆金馬獎最佳造型設計(《滾滾紅塵》)及最佳美術設計(《滾滾紅塵》,與廖鳳平共同獲得)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1982

於香港理工學院時裝設計系畢業

Graduated from the fashion design department of the Hong Kong Polytechnic

1990

憑《滾滾紅塵》奪第27屆金馬獎最佳美術設計及最佳造型設計

Won Best Art Direction and Best Costume Design at the 27th Golden Horse Awards for Red Dust

2010

開始為《明報周刊》撰寫「布頭布美」專欄

Began writing the 'Cloth Beauty' column for Ming Pao Weekly

影響與傳承 Impact & Legacy

繁體中文

張西美把嚴謹嘅紡織同服飾考據帶入香港電影服裝設計,令古裝同年代片嘅衣著更貼近史料。佢創辦嘅服飾工作隊為逾二百五十部電影提供研究同製作,服裝造型其後自立為電影美術嘅重要一環。

English

Cheung brought rigorous textile and costume research into Hong Kong film design, making period costumes truer to historical sources. Her Fashion Workshop supplied research and production for over 250 films, helping establish costume design as a respected craft in the local film industry.

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