文化藝術人物 / Cultural figure

陳寶珠

大字係領域(由已登記職業/領域派生),唔係姓氏。

Connie Chan Po Chu

1947年–

領域:藝術家

繁體中文

陳寶珠,原名何佩勤,1947年生於廣州,祖籍廣東新會。四歲時被粵劇名伶陳非儂、宮粉紅夫婦收為養女,改名陳寶珠。童年時拜京劇名宿粉菊花為師,學習舞台上的北派武打技藝。1953年與梁醒波之女梁寶珠合組「孖寶劇團」演出粵劇。1960年拜粵劇名伶任劍輝為師,習文武生。首部參演電影為1958年的粵語片《秦香蓮》,其後又演出國際電影懋業有限公司(簡稱「電懋」)的國語片《雨過天青》(1959)與《童軍教練》(1959)。1960年與任劍輝合演《教子逆君皇》後,開始活躍於粵語片影壇,多演粵語戲曲片及在武俠片中反串男角,名作包括《怪俠赤屠龍》與續集《天山雙狐鬥屠龍》、《屠龍女三鬥粉金剛》(皆為1960)、《白骨陰陽劍》(一至四集,1962至1963)、《六指琴魔》(一至三集,1965)、《玉面閻羅》(上、下集,1965)、《如來神掌怒碎萬劍門》(1965)。她在這時期不少作品都反串男角,與蕭芳芳合演少年俠侶;在《雪花神劍》(一至四集,1964)與《玉女英魂》(上、下集,1965)則少有地演女性角色。1966年,她在《玉女含冤》開始獨挑大樑主演時裝片,同年演出《影迷公主》《彩色青春》《姑娘十八一朵花》等一系列時裝青春愛情片,賣座鼎盛,成為最受歡迎的粵語片明星之一,外號「影迷公主」,深受觀眾擁戴。1966至70年間,她主演接近一百部電影,其中包括時裝愛情或歌舞片《金色聖誕夜》(1967)、《花月佳期》(1967)、《紅葉戀》(1968)、《蔓莉蔓莉我愛你》(1969),時裝喜劇《玉女添丁》(1968),以及時裝動作片《女殺手》(1966)、《女賊黑野貓》(1966)等。走紅後她仍有演武俠片,既反串男主角也演女俠,名作有《七公主》(上、下集,1967)與《天劍絕刀》(上、下集,1967至1968)。她亦有演出粵語戲曲片,包括《七彩胡不歸》(1966)與改編自任劍輝同名名劇的《再世紅梅記》(1968)。其時正值粵語片製作轉為彩色時期,她與同時走紅的蕭芳芳成為彩色粵語片時期的代表人物。她在電影中主唱的歌曲〈女殺手〉、〈姑娘十八勝春花〉、〈彩色青春〉都成為當年流行一時的名曲。1970年演出《我永遠記着你》後,她離開香港赴美升學;1972年回港度假時為邵氏兄弟(香港)有限公司主演國語片《壁虎》,從此退出影壇。1999年再踏台板,演出由杜國威創作的話劇《劍雪浮生》,其後陸續演出《煙雨紅船》《天之驕子》等話劇,又數度舉辦個人演唱會,並再度演出粵劇,演的都是其恩師任劍輝的名劇,包括《紅樓夢》《再世紅梅記》《牡丹亭驚夢》《蝶影紅梨記》等。

English

Connie Chan Po-chu, born Ho Pui-kan in Guangzhou in 1947 to a Xinhui family, was adopted at four by the Cantonese-opera artists Chan Fei-nung and Kung Fan-hung and took their stage surname. She learned Peking-opera martial arts under the celebrated teacher Fan Kuk-fa, and in 1953 formed the Twin Treasures troupe with Leung Bo-chu. In 1960 she became a disciple of the Cantonese-opera star Yam Kim-fai. Her first film was the Cantonese opera The Story of Qin Xianglian (1958), followed by Mandarin pictures for MP & GI; from 1960, after appearing with Yam in a Cantonese opera film, she became active in Cantonese cinema, often playing male leads in swordplay films. In 1966 she began starring in contemporary youth films such as Movie-Fan Princess, Colourful Youth and A Girl, Eighteen, and between 1966 and 1970 appeared in nearly one hundred films, becoming one of the most popular Cantonese stars under the nickname 'Movie-Fan Princess'; songs she performed, including 'Woman Killer', became hits. She could act in both swordplay and opera films, appearing with Josephine Siao as a youthful couple. She left for the United States in 1970, returned for the Shaw Brothers film The Lizard (1972) and retired from the screen. In 1999 she returned to the stage in To Kwok-wai's play Floating Life of Sword and Snow.

人物小檔 Profile

職業Occupation

演員

年期Active period

1947年–

代表作Notable works

《秦香蓮》《雨過天青》《童軍教練》《教子逆君皇》《怪俠赤屠龍》《天山雙狐鬥屠龍》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1958

首部參演電影為粵語片《秦香蓮》,其後兼演國語片。

Made her film debut in the Cantonese opera film The Story of Qin Xianglian.

1960

拜粵劇名伶任劍輝為師,習文武生,同年與任合演《教子逆君皇》。

Became a disciple of the Cantonese-opera star Yam Kim-fai and appeared with her on screen the same year.

1966

主演《影迷公主》等時裝青春片走紅,得「影迷公主」稱號。

Rose to fame in youth films such as Movie-Fan Princess, earning that nickname.

影響與傳承 Impact & Legacy

繁體中文

陳寶珠在1960年代後期主演近百部電影,以反串男角與時裝青春片風靡一時,「影迷公主」之名反映其票房號召力,她主唱的〈女殺手〉等歌曲亦成為流行曲。她與蕭芳芳同為彩色粵語片的代表人物,1999年復出舞台延續了粵劇與話劇的表演傳統。

English

Starring in nearly one hundred films in the late 1960s, Connie Chan became a sensation through cross-dressed male roles and contemporary youth pictures, and her 'Movie-Fan Princess' nickname reflected her box-office pull; songs she recorded, such as 'Woman Killer', also became hits. Alongside Josephine Siao she embodied the colour Cantonese-cinema era, and her 1999 stage comeback carried on the traditions of Cantonese opera and spoken drama.

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