文化藝術人物 / Cultural figure

朱日紅

大字係領域(由已登記職業/領域派生),唔係姓氏。

Chu Yat Hung

1934年–2020年

領域:藝術家

繁體中文

朱日紅(1934年6月1日—2020年9月1日)祖籍廣東順德龍山,生於廣州,十一歲隨家人移居香港,是香港的場記與副導演。她的父親朱晦隱是粵劇團的開戲師爺,兩名兄長分別是導演珠璣與副導演朱超。1950年代初,她跟隨兄長進入影圈,長期擔任場記;由於能同時兼顧多組拍攝,在粵語片全盛期一天可接兩三組戲,因而有「場記王」之譽。場記須準確記錄服裝、道具與對白的連戲細節,稍有差錯便會影響拍攝。她早年參與的影片包括《雪夜訪情僧》(1953)、《愛》(1955)、《血染黃金》(1957)、《九天玄女》(1959)與《一水隔天涯》(1966)等。1960年代中,她轉任副導演,工作範圍由粵語片擴展至國語片、潮語片與廈語片,作品有《春光無限好》(1968)、《學府新潮》(1970)、《帝女花》(1976)、《贊先生與找錢華》(1978),以及嘉禾的西片《直搗黃龍》(1975)。新藝城創立後,她獲邀加入,由創業作《滑稽時代》(1980)開始參與幕後,先後為《再生人》(1981)、《最佳拍檔》(1982)、《開心鬼》(1984)、《八星報喜》(1988)等約十九部影片擔任副導演;她負責協調演員檔期、場景與拍攝進度,是新藝城多部賣座片的重要支援。1990年代,她與高志森合作密切,參與《家有囍事》(1992)、《大富之家》(1994)及《南海十三郎》(1997),其後又為《南海十三郎》等舞台劇擔任服裝統籌,2003年退休。1990年,她獲第九屆香港電影金像獎頒發專業精神獎。2020年9月1日,她逝世。

English

Chu Yat-hung (1 June 1934 – 1 September 2020) was born in Guangzhou to a family from Longshan in Shunde, Guangdong, and moved to Hong Kong with her family at the age of eleven. Her father wrote scenarios for a Cantonese opera troupe, and her two elder brothers were the director Chu Kei and the assistant director Chu Chiu. She entered films in the early 1950s as a continuity (script supervisor) and was later hailed as the Master of Continuity: during the peak of Cantonese cinema she could take on two or three different shoots a day. Her early credits include Meeting the Lovelorn Monk on a Snowy Night (1953), Love (1955), Blood Money (1957), The Fairy of Ninth Heaven (1959) and Beyond the Horizon (1966). From the mid-1960s she worked as an assistant director, moving from Cantonese into Mandarin, Chaozhou-dialect and Amoy-dialect productions, on films such as What a Good Time (1968), Modern School Life (1970), Princess Chang Ping (1976), Warriors Two (1978) and Golden Harvest's Western Man from Hong Kong (1975). After Cinema City was founded she was invited to join it, beginning with its debut film Laughing Times (1980), and served as assistant director on about nineteen pictures, among them Life After Life (1981), Aces Go Places (1982), The Happy Ghost (1984) and The Eighth Happiness (1988). In the 1990s she collaborated closely with Clifton Ko on All's Well, Ends Well (1992), It's a Wonderful Life (1994) and The Mad Phoenix (1997), and later did costume coordination for stage productions, retiring in 2003. She received the Professional Achievement Award at the 9th Hong Kong Film Awards in 1990 and died on 1 September 2020.

人物小檔 Profile

職業Occupation

場記、副導演

年期Active period

1934年–2020年

代表作Notable works

《雪夜訪情僧》《九天玄女》《一水隔天涯》《最佳拍檔》《開心鬼》《家有囍事》

獎項及榮譽Awards & honours

第九屆香港電影金像獎專業精神獎(1990)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1953

以場記身分參與《雪夜訪情僧》,其後成為粵語片全盛期的「場記王」。

Worked as continuity on Meeting the Lovelorn Monk on a Snowy Night, later becoming the Master of Continuity of peak-period Cantonese cinema.

1980

由新藝城創業作《滑稽時代》起參與幕後,先後為約十九部影片任副導演。

From Cinema City's debut Laughing Times onward she worked behind the scenes, serving as assistant director on about nineteen films.

1990

獲第九屆香港電影金像獎頒發專業精神獎。

Received the Professional Achievement Award at the 9th Hong Kong Film Awards.

影響與傳承 Impact & Legacy

繁體中文

朱日紅自五十年代起任職場記逾二十年,因同時兼顧多組拍攝而有「場記王」之譽,她嚴謹的連戲與場務功夫成為粵語片工業運作的支柱之一。她其後轉任副導演,長期為新藝城及高志森的作品把關,1990年獲香港電影金像獎專業精神獎,是幕後技術人員獲得公開肯定的例子。

English

A continuity supervisor for more than twenty years, Chu Yat-hung earned the title Master of Continuity for handling several shoots at once, her exacting work on continuity sustaining the Cantonese film industry. Later an assistant director who watched over the films of Cinema City and Clifton Ko, she received the Hong Kong Film Awards' Professional Achievement Award in 1990, an example of a behind-the-scenes technician being publicly honoured.

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