文化藝術人物 / Cultural figure

珠璣

大字係領域(由已登記職業/領域派生),唔係姓氏。

Chu Kea

1920年–1988年

領域:藝術家 · 作家與觀點論述者

繁體中文

珠璣原名朱日川,廣東順德人,1920年1月6日在廣州出生,父親是粵劇團開戲師爺朱晦隱。他十二歲來港,翌年加入天一港廠學習沖印與剪接,曾任《火燒阿房宮》(1935)的攝影助理,並以藝名朱凌雲在《梁山伯祝英台》(1935)飾演梁山伯的書僮事久。其後他轉往南粵影片公司任剪接,再改任編劇及副導演。1941年他開始執導,最初兩部《燕雙飛》與《母慈子孝》均與嚴夢合導,首部獨立執導的作品為《出牆紅杏》。1952年他與多位影人合股創辦中聯電影企業有限公司,執導《千萬人家》(1953)、《孤星血淚》(1955)、《血染黃金》(1957)等,並在《金蘭姊妹》(1954)、《艷屍還魂記》(1956)客串演出。1957年他脫離中聯,為良友影業執導《七世夫妻》(1957)、《女阿飛》(1958)等數部廈語片,又為其他公司拍攝粵劇戲曲片與歌唱片,如《楚漢爭》(1957)、《一年一度燕歸來》(1958)、《三娘教子》(1958)、《漢武帝夢會衛夫人》(1959)。文藝倫理片則有《兩重心》(1955)、《慈母頌》(1956)、《芸娘》(1960)、《萬里尋親記》(1961)、《不斬樓蘭誓不還》(1963)等。他先後自組海洋影片公司與金城影業公司,出品自己執導的《西施》(1960)、《恨海情天》(1964)、《十二欄杆十二釵》(1964)、《詩禮傳家》(1965)、《青山依舊夕陽紅》(1965)等。最後一部個人導演作品為彩色歌舞片《七彩天堂》(1969),執導《威風大少惡千金》(1969)後退出影壇。他一生執導二百五十多部影片,並曾在《新電視》周刊撰寫專欄〈懷舊集〉;他的兄長朱超與妹妹朱日紅均曾任副導演。1988年1月3日在香港病逝。

English

Chu Kea, born Zhu Richuan in Guangzhou on 6 January 1920 to a Shunde family, was the son of the Cantonese-opera scriptwriter Zhu Huiyin. He came to Hong Kong at twelve and the next year joined Tianyi's Hong Kong studio, learning film processing and editing; he worked as assistant cameraman on Burning of the Efang Palace (1935) and, under the name Zhu Lingyun, played the servant Shi Jiu in Liang Shanbo and Zhu Yingtai (1935). After moving to Nanyue Film Company as an editor, he became a screenwriter and assistant director. He turned director in 1941, his first two films, Swallows in Flight and A Mother's Love, co-directed with Yan Meng, followed by his first solo work, The Red Apricot Beyond the Wall. In 1952 he helped found the Union Film Enterprise, directing A Family of Decent Folk (1953), Orphan's Tears (1955) and Blood-Stained Gold (1957), and appearing in cameos in Sisters of the Orchid (1954) and The Haunted Chamber (1956). Leaving Union in 1957, he made several Amoy-dialect films for Liangyou, then many Cantonese opera, song and domestic films such as The Chu-Han War (1957), The Discipline of the Three Mothers (1958), Emperor Wu Meets Madam Wei (1959), Two Hearts (1955), Hymn to Mother (1956) and Yun Niang (1960). He later founded the Ocean and Golden City companies, producing his own The Beauty Xi Shi (1960) and Family Tradition (1965). His last solo feature was the colour musical Colourful Paradise (1969), and he retired after directing A Wonderful Marriage (1969). He directed more than 250 films and wrote a memoir column in the magazine New TV; his elder brother Zhu Chao and younger sister Zhu Rihong also worked as assistant directors. He died in Hong Kong on 3 January 1988.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1920年–1988年

代表作Notable works

《燕雙飛》《母慈子孝》《出牆紅杏》《千萬人家》《孤星血淚》《七彩天堂》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1941

與嚴夢合導《燕雙飛》、《母慈子孝》,同年獨立執導《出牆紅杏》。

Co-directed Swallows in Flight and A Mother's Love with Yan Meng, and made his solo directing debut with The Red Apricot Beyond the Wall.

1952

與多位影人合股創辦中聯電影企業有限公司。

Co-founded the Union Film Enterprise with fellow filmmakers.

1969

執導最後一部個人作品《七彩天堂》,其後退出影壇。

Directed his last solo feature, the colour musical Seventh Heaven, before retiring.

影響與傳承 Impact & Legacy

繁體中文

珠璣一生執導逾二百五十部影片,是香港產量最多的導演之一。他從沖印、剪接到編劇、副導演逐級歷練,所拍的作品橫跨粵劇戲曲片、文藝倫理片與廈語片,1950年代為中聯執導《千萬人家》、《孤星血淚》等寫實題材,把家庭倫理與社會關懷帶入粵語片。

English

With more than 250 films to his name, Chu Kea was among the most prolific directors in Hong Kong. Rising through film processing, editing, writing and assistant direction, he worked across Cantonese opera pictures, domestic dramas and Amoy-dialect films, and in the 1950s directed social-realist titles such as A Family of Decent Folk for the Union Film Enterprise, bringing family ethics and social concern into Cantonese cinema.

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