文化藝術人物 / Cultural figure

周詩祿

大字係領域(由已登記職業/領域派生),唔係姓氏。

Chow Sze Luk

1907年–1964年

領域:藝術家

繁體中文

周詩祿為廣東人,早年喺上海加入邵醉翁旗下嘅天一影片公司當學徒,參拍多部影片,包括為天一首部有聲電影《歌場春色》(1931)出任副攝影師,其首部獨挑大樑掌鏡之作則為《夫妻之間》(1931)。至1941年,他喺上海同香港天一(後名「南洋」)拍過不少名片,如《芸蘭姑娘》(1932)、《飄零》(1933)等。約1947年他執導首作《春風得意》(1948),其後九年為香港青華、萬方、龍鳳等公司執導七十多部影片。此期較突出者為粵劇戲曲片,如《兩個煙精掃長堤》(1948)、《火網梵宮十四年》(1953)、《碧海狂僧》(1953)、《夜弔白芙蓉》(1956),以及喜劇《蛇王》(1950)、《范斗》(1950)、《指天篤地》(1951)、《鬼妻》(1953)。1957年起他主理邵氏父子有限公司嘅粵語片製作部,任內產量超過五十部,包括《榴槤飄香》(1959)、《溫暖喺人間》(1960)、《血灑黑龍街》(1961)等;其中由他親自執導者佔二十部以上,如《蓬門淑女》(1958)、《玉女驚魂》(1958)、《痴心結》(上、下集,1960)、《慈母手中線》(1961)。經他扶掖嘅人才甚多,包括編導龍剛、吳丹,演員張英才、林鳳、歐嘉慧、麥基、呂奇等。他在邵氏亦執導過國語片如《萬紫千紅》(1956)、《艷舞銷魂》(1957)、《殭屍復仇》(1959)、《杜鵑花開》(1963),以及廈語片《梁山伯祝英台》(1955)、潮語片《文武香球》(1963)等。1964年9月7日,他剛拍完國語片《雙鳳奇緣》(1964)不久,因肝癌病逝,一生執導影片約一百二十部。

English

Chow Sze-luk, a Guangdong native, began as an apprentice at the Tianyi studio of Shao Zui-weng in Shanghai, working on many productions, including as second cameraman on Tianyi's first sound film, Springtime in the Song Hall (1931); his first picture as chief cinematographer was Between Husband and Wife (1931). Up to 1941 he shot a string of notable features for Tianyi (later Nanyang) in both Shanghai and Hong Kong, among them The Girl Yunlan (1932) and Wandering (1933). Around 1947 he turned to directing, making his debut with Spring Breeze Brings Joy (1948), and over the next nine years directed more than seventy films for companies such as Ching Wah, Man Fong and Long Feng. His strongest work of the period was in Cantonese opera films, including Two Opium Smokers Sweep the Long Dyke (1948) and The Fourteen Years of Fire-Net Buddhist Palace (1953), as well as comedies such as Snake King (1950) and The Ghost Wife (1953). From 1957 he headed the Cantonese production unit of Shaw Brothers (Hong Kong), overseeing more than fifty films there, among them The Scent of Durian (1959) and Blood-stained Black Dragon Street (1961), of which he personally directed over twenty, such as Sisters of the Door (1958) and A Mother's Thread (1961). Many talents passed through his hands, including the directors Lung Kong and Ng Dan and the actors Cheung Ying-choi, Lin Fung and Lui Kei. He also directed Mandarin pictures such as The Twin Phoenixes (1964) and various Amoy- and Teochew-dialect films. On 7 September 1964, shortly after finishing a Mandarin feature, he died of liver cancer, having directed about 120 films in all.

人物小檔 Profile

職業Occupation

導演、監製、攝影師

年期Active period

1907年–1964年

代表作Notable works

《歌場春色》(1931)、《兩個煙精掃長堤》(1948)、《慈母手中線》(1961)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1931

為天一首部有聲片《歌場春色》任副攝影師,同年首度獨任攝影拍《夫妻之間》

Served as second cameraman on Tianyi's first sound film and in the same year shot Between Husband and Wife as chief cinematographer

1948

執導首作《春風得意》

Directed his first feature, Spring Breeze Brings Joy

1957

起主理邵氏父子有限公司粵語片製作部,任內產量逾五十部

From 1957 headed Shaw Brothers' Cantonese production unit, overseeing more than fifty films

影響與傳承 Impact & Legacy

繁體中文

周詩祿由天一學徒做到邵氏粵語片部主政者,一生執導約一百二十部影片,橫跨粵劇戲曲片同喜劇兩大類型,並培育出龍剛、吳丹、林鳳、呂奇等編導與演員,係1950至60年代香港粵語片工業嘅關鍵推手。

English

From a Tianyi apprentice to head of Shaw's Cantonese production unit, Chow Sze-luk directed roughly 120 films across opera and comedy and mentored figures such as Lung Kong, Ng Dan, Lin Fung and Lui Kei, making him a pivotal figure in Hong Kong's Cantonese-film industry of the 1950s and 60s.

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