文化藝術人物 / Cultural figure

張應炎

大字係領域(由已登記職業/領域派生),唔係姓氏。

Cheung Ying Yin

1936年–

領域:藝術家

繁體中文

張應炎(1936年10月21日生),廣東潮陽谷饒鄉人,在潮陽出生長大。他十三歲加入潮劇戲班「正玉天香」正式學戲,工小生;半年後遇上饑荒,戲班解散,他回鄉跟隨鄉里演出潮劇紙影戲。1950年他移居香港,最初加入八音紙影班,翌年轉入當時仍演紙影戲的新天彩班,跟隨班主張木津及班內前輩學戲。其後新天彩轉型改演潮州大戲,張應炎因年齡漸長,不宜再演小生,遂一面演戲,一面轉習老生,並開始在幕後為配音潮語片唱潮曲,曾為羅劍郎、麥炳榮、靚次伯等名伶代唱。 1960年,他隨新天彩演出第一部作品《後母心》,飾演老生角色;其後又以小生應工,與泰國花旦曾珊鳳主演《蘆林會》(鮀英出品,1960)。此後他主要演老生,尤其擅長忠臣、清官一類角色,例如《包公會李后》(1961)中的包公、《劉章下山》(1962)中的漢室遺老劉澤,以及《海瑞罷官》(1967)中的海瑞,都令人難忘;他飾演反派亦很獨到,如《恩仇記》(1962)中的奸險之徒、《紅鬃烈馬》(1963)中的勢利丈人,以及《洛神》(1966)中的曹丕。 從影以來,他共演出六十多部電影,大部分是跟隨新天彩為鮀英、萬聲、聯友、潮藝等公司拍片,亦曾與嶺東潮劇團合作演出《韓文公凍雪》(1962)和《海瑞三勘驛女冤》(1963),並參演蕭璘青山公司出品的《三娘教子》(1963)。1964年,他開始以個人名義接拍潮藝的電影。潮語片式微後,他多次隨新天彩到東南亞各地演出,後來更兼任導演。他在新天彩由紙影戲走到潮州大戲,見證了香港潮劇電影由盛轉衰的歷程。他現已退休,居於香港,偶爾仍到外地出席潮劇活動。

English

Cheung Ying Yin was born on 21 October 1936 in Chaoyang, Guangdong, and grew up in the county's Gurao township. At thirteen he joined the Chaozhou opera troupe Ching Yuk Tin Heung to learn xiaosheng roles, but the troupe disbanded half a year later during a famine and he returned home to work in Chaozhou shadow-puppet performance. He settled in Hong Kong in 1950, first joining a puppetry-and-music troupe and the following year the Xin Tian Cai company, then still a shadow-puppet group, where he learned from its leader Cheung Muk-tsun and other seniors. When Xin Tian Cai moved into full Chaozhou opera, Cheung, growing too old for young-lead roles, switched to laosheng (old male) parts while also singing Chaozhou songs behind the scenes, dubbing for actors such as Law Kim-long, Mak Bing-wing and Leng Chi-pak. In 1960 he appeared with Xin Tian Cai in his first film, The Stepmother, and then took the young lead opposite the Thai dan Zeng Shan-feng in another 1960 Chaozhou film. He later specialised in old-male roles, notably as the upright judge Bao in a 1961 film, as a Han loyalist in a 1962 film and as the official Hai Rui in The Dismissal of Hai Rui (1967); he was equally convincing as villains, such as Cao Pi in a 1966 film. Over his career he appeared in more than sixty films, mostly with Xin Tian Cai for studios including Tor Ying, Man Sing, Luen Yau and Chiu Ngai, and also performed with the Ling Tung Chaozhou troupe and in a 1963 film produced by Ching Shan. From 1964 he took film work in his own name. After Chaozhou cinema declined he toured Southeast Asia with Xin Tian Cai and later worked as a director; he is now retired and lives in Hong Kong.

人物小檔 Profile

職業Occupation

演員

年期Active period

1936年–

代表作Notable works

《後母心》《蘆林會》《包公會李后》《劉章下山》《海瑞罷官》《恩仇記》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1960

隨新天彩演出首部電影《後母心》,並與曾珊鳳主演《蘆林會》。

Appeared with Xin Tian Cai in his first film, The Stepmother, and starred with Zeng Shan-feng in another 1960 production.

1961

在潮語片《包公會李后》中飾演包公。

Played the upright judge Bao in the 1961 Chaozhou-dialect film.

1967

在《海瑞罷官》中飾演海瑞。

Played the official Hai Rui in The Dismissal of Hai Rui.

影響與傳承 Impact & Legacy

繁體中文

張應炎由紙影戲學徒出身,後成為新天彩潮劇團的老生台柱,在六十多部潮語片中塑造包公、劉澤、海瑞等忠臣清官形象,亦演活多個反派,是香港潮劇電影最具代表性的老生演員之一;潮語片式微後他隨團巡演東南亞並兼任導演,延續了潮劇在海外的傳播。

English

A former shadow-puppet apprentice who became the leading laosheng actor of the Xin Tian Cai troupe, Cheung Ying Yin created memorable upright-official figures such as Bao, Liu Ze and Hai Rui across more than sixty Chaozhou-dialect films, making him one of the most representative old-male performers of Hong Kong's Chaozhou cinema and helping sustain the art form abroad through later tours.

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