文化藝術人物 / Cultural figure

張龍華

大字係領域(由已登記職業/領域派生),唔係姓氏。

Cheung Lung Wah

活躍於1960年代

領域:藝術家

繁體中文

張龍華係廣東潮陽人,出身潮劇世家。佢父親張木生(又名張大堃)係張木津嘅四哥,兩兄弟同為新天彩潮劇團嘅班主;新天彩係香港潮語片其中一個最主要嘅演出班底。潮語片喺五、六十年代興起,觀眾主要係香港同東南亞嘅潮州社群,戲院唔限於香港,所以潮語片式微之後,新天彩仍然可以靠巡迴演出生存。 張龍華自幼就係新天彩嘅成員,年紀稍長就喺劇團嘅潮語電影度做童生。1960年,佢喺《後母心》飾演女主角馬文鑾嘅弟弟;同年喺鮀英出品嘅《蘆林會》飾演龐三娘嘅兒子安安。之後佢陸續喺《呂蒙正》(1963)、《共傘奇緣》(1965)、《二歲夫》(1965)等潮語片擔任配角。1962年,佢喺《薛剛反唐》飾演薛葵,一邊舞動雙錘、一邊同陳楚蕙爭執,係佢較有發揮嘅一個角色。潮劇同潮語片嘅戲路以家庭倫理、歷史演義同才子佳人為主,童角、配角、武生各司其職,張龍華由童角一路演到武生,正好反映潮劇班底嘅人才訓練方式。 佢曾拜入北派名武師關正良門下,學武打身段。1968年,佢喺《崔鳴鳳晉袈裟》上、下集飾演追殺主角嘅奸臣家將,已經睇得出佢朝武生路線發展。潮語片式微之後,佢隨新天彩去外地演出潮劇,既做劇團嘅武工指導,又親身上台演武生;佢喺新加坡自導自演短劇《擋馬》,獲得好評,亦為劇團執導過《三家福》等劇目。其後佢轉做電影龍虎武師,參與武打場面嘅拍攝。新天彩由張木津聯同兄長主持,佢隨團到泰國、新加坡等地演出期間,同時兼任劇團嘅武術指導,將潮劇嘅武打傳統帶到海外舞台。

English

Cheung Lung-wah was born in Chaoyang, Guangdong, into a Teochew opera family. His father Cheung Muk-sang (also known as Cheung Tai-kwan) was the fourth elder brother of Cheung Muk-chun, and the two brothers ran the Xintiancai Chaozhou Opera Troupe, one of the main companies behind Hong Kong's Teochew-dialect cinema. Chaozhou-dialect films emerged in the 1950s and 1960s for audiences in Hong Kong and among Teochew communities across Southeast Asia; because their market reached beyond Hong Kong, troupes such as Xintiancai could keep touring after the films went into decline. Cheung was a member of Xintiancai from childhood and later appeared in its Chaozhou-language films as a child actor, playing the younger brother of the lead actress Ma Wenluan in The Stepmother (1960) and An'an, the son of the female character Pang San'niang, in A Wronged Daughter-in-Law (Tor Ying, 1960). He went on to take supporting roles in A Common Scholar (1963), Romance in a Rainstorm (1965) and Two-Year-Old Husband (1965). As Xue Kui in The Sit Family (1962) he had a more substantial part, remembered for wielding twin hammers while bickering with the lead character played by Chan Chor-wai. With its family dramas, historical tales and romances, the Teochew repertoire trained performers to move from child roles through supporting parts to wusheng. Cheung studied under the Northern martial-arts master Kwan Ching-leung, and by the two-part film The Scholar Cui Mingfeng (1968), in which he played the villain's henchman hunting the protagonist, he was clearly moving towards wusheng roles. After Teochew-dialect films faded he performed Chaozhou opera overseas with Xintiancai, serving as its martial-arts choreographer while also appearing on stage as a wusheng; he wrote, directed and starred in the short play Stopping the Horse in Singapore to good notices, and directed pieces such as San Jia Fu for the troupe. He later worked occasionally as a martial-arts stuntman in films. Travelling with Xintiancai to Thailand and Singapore, he also acted as the troupe's martial-arts director, carrying the fighting traditions of Teochew opera to overseas stages.

人物小檔 Profile

職業Occupation

演員

年期Active period

活躍於1960年代

代表作Notable works

《後母心》、《蘆林會》、《薛剛反唐》、《崔鳴鳳晉袈裟》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1960

於《後母心》飾演女主角馬文鑾嘅弟弟,並於《蘆林會》飾演龐三娘嘅兒子安安。

Played the younger brother of the lead actress Ma Wenluan in The Stepmother and An'an, son of Pang San'niang, in A Wronged Daughter-in-Law.

1962

在《薛剛反唐》飾演薛葵,舞雙錘與陳楚蕙對手演出。

Played Xue Kui in The Sit Family, wielding twin hammers opposite Chan Chor-wai.

1968

在《崔鳴鳳晉袈裟》上、下集飾演奸臣家將,轉向武生路線。

Played the villain's henchman in the two-part film The Scholar Cui Mingfeng, marking a move towards wusheng roles.

影響與傳承 Impact & Legacy

繁體中文

張龍華出身新天彩潮劇團世家,由童角一路演到武生;潮語片式微之後,佢隨團到泰國、新加坡等地演出潮劇,既任武工指導又親自上台演武生,係香港潮語片後期仍活躍於海外舞台嘅藝人。

English

Cheung Lung-wah came from the Xintiancai Teochew opera family and moved from child roles to wusheng; after Teochew-dialect films faded he toured Thailand and Singapore with the troupe as both martial-arts instructor and performer, remaining on overseas stages in the late years of Hong Kong's Teochew cinema.

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