繁體中文
張康達是廣東中山人，在香港出生，畢業於澳門濠江中學，求學期間活躍於文藝表演活動。1969年他獲選進入長城電影製片公司、鳳凰影業公司與新聯影業公司聯合舉辦的電影工作者訓練班，訓練班結束後分配到新聯的演員組，後來調至編導組從事幕後工作，在《至愛親朋》（1976）、《光棍．神偷．雙彩鳳》（1978）、《少林寺》（1982）與《半邊人》（1983）等片擔當場務、劇務。1986年銀都機構有限公司正式營運，張康達轉任製片，負責影片包括《亂世英雄亂世情》（1986）、《南北少林》（1986）、《中華英雄》（1988）與《聯手警探》（1991）等，在內地拍攝電影的經驗豐富。1993年他成為銀都的人事部經理，同時參與《西楚霸王》（1994）、《星願》（1999）等片的製作。他在《情「意」拳拳》（2006）首任監製，2007年起乘著《內地與香港關於建立更緊密經貿關係的安排》（即CEPA）引領的合拍片風潮，為逾五十部銀都投資及製作的影片擔當監製或行政監製，參與作品包括《老港正傳》（2007）、《C+偵探》（2007）、「竊聽風雲」系列（2009至2014）、《桃姐》（2012）、《一代宗師》（2013）、《五個小孩的校長》（2015）與《怒火》（2021）等，最後一部為《斷網》（2023）。他曾任銀都的董事、副總經理、授權股東與製作總監等職，2022年10月正式退休。他亦於1970年加入華南電影工作者聯合會，1992年加入理事會，曾任組織部副主任、司庫與副理事長，現任理事長（截至2025年）。
English
Cheung Hong-tat was born in Hong Kong to a family from Zhongshan, Guangdong, and graduated from Macau's Hou Kong Middle School, where he was active in arts performances. In 1969 he was selected for the film workers' training class jointly run by Great Wall, Feng Huang and Sun Ngee, and was assigned to Sun Ngee's actors' group before moving to its directing and script unit behind the scenes, working as a continuity man and production assistant on films such as Zhi Ai Qin Peng (1976), Guang Gun, Shen Tou, Shuang Cai Feng (1978), Shaolin Temple (1982) and Ban Bian Ren (1983). When Sil-Metropole officially began operating in 1986, Cheung became a producer, handling films including Luan Shi Ying Xiong Luan Shi Qing (1986), Nan Bei Shao Lin (1986), Zhong Hua Ying Xiong (1988) and Lian Shou Jing Tan (1991), and gaining wide experience of shooting on the mainland. In 1993 he became personnel manager at Sil-Metropole while taking part in productions such as Xi Chu Ba Wang (1994) and Xing Yuan (1999). He made his producing debut with Qing Yi Quan Quan (2006), and from 2007, riding the co-production wave opened up by CEPA, he served as producer or executive producer on more than fifty films invested in or made by Sil-Metropole, among them Mr. Cinema (2007), Eye in the Sky (2007), the Overheard series (2009–2014), A Simple Life (2012), The Grandmaster (2013), Little Big Master (2015) and Raging Fire (2021), his last being Cyber Heist (2023). He held senior posts at Sil-Metropole including director, deputy general manager, authorised shareholder and production director, and formally retired in October 2022. He joined the Union of Hong Kong Film Workers in 1970 and its council in 1992, serving as deputy head of organisation, treasurer and vice-chairman, and is its chairman as of 2025.
