文化藝術人物 / Cultural figure

鄭純英

大字係領域(由已登記職業/領域派生),唔係姓氏。

Cheng Shun Ying

1943年–

領域:藝術家

繁體中文

鄭純英1943年11月12日生於廣東潮陽。她十三、四歲起在內地習潮劇,跟隨鄉里參演業餘潮劇團,劇目有古裝戲《打漁殺家》及時裝戲《江秀卿》,亦有宣傳土地改革的劇目。1958年移居香港,加入新天彩潮劇團任旦角,與陳楚蕙、方巧玉等合演,初期以神功戲為主,並為數十部廈語片及粵語片配唱潮曲。1961年她開始參演潮語電影,首作為新天彩的《烈女忠魂》,其後多與東山影業公司合作,作品有《郭子儀賀壽》(1961)、《玉獅記》(1962)、《余美娘》(1963),亦演出中藝影業公司的《鐵弓緣》(1961)、榮華製片公司的《潘必正庵堂會姑》(又名《妙嫦追舟》,1962)及邵氏兄弟(香港)有限公司的《文武香球》(1963)。從影期間她共演出二十多部潮語片,雖多屬配角而戲分吃重,如《梁山伯與祝英台》(1963)的銀心、《寶蓮燈》(1963)的仙女靈芝、《西廂記》(1964)的紅娘。1964年她參演夏帆開設的藝業電影製片公司出品《秋戀》(1964)、《雙奪妻》(1965),並隨夏帆、陳文昌、周樂等到泰國、新加坡、馬來西亞三十多個埠登台,演期達八個月。潮語片式微後她轉行經商,期間亦曾隨新天彩到新加坡登台,並與中源和、樂聲潮劇團在本地演出,至八十年代中退出舞台。她現居香港,前夫為泰國鮀英影業公司老闆余培基之子。她所屬的新天彩潮劇團在1960至1965年間拍攝了數十部潮劇電影,並以此聲勢多次到東南亞演出;她為廈語片及粵語片配唱潮曲的經歷,亦令她的聲線為當時的觀眾所熟悉。

English

Cheng Shun-ying, born on 12 November 1943 in Chaoyang, Guangdong, began learning Chaozhou opera on the mainland at thirteen or fourteen, performing with amateur troupes of her hometown in pieces such as the period classic A Fisherman Kills a Family and the modern play Jiang Xiuqing, as well as land-reform propaganda. She moved to Hong Kong in 1958 and joined the Xintiancai Chaozhou Opera Troupe as a dan, appearing with Chan Chor-wai and Fong Hau-yuk, at first mainly in deities' opera, and she also sang Chaozhou-dialect dubbing parts for dozens of Cantonese and Amoy films. Her Chaozhou-film debut came in 1961 with Xintiancai's The Selfless Woman General. She worked most often with Tung Shan Film Company, appearing in Birthday Ceremony (1961), Story of the Jade Lion (1962) and A Troubled Romance (1963), and also in Zhongyi's Romance of the Iron Bow (1961), Eng Wah's The Nun's Story (1962) and Shaw Brothers' The Perfumed Ball (1963). Over a career of more than twenty Chaozhou films she took many substantial supporting roles, playing the maid Yinghsin in The Butterfly Lovers (1963), the fairy Lingzhi in The Precious Lotus Lamp (1963) and Hongniang in Romance of the West Chamber (1964). In 1964 she appeared in two Ngai Yip films and toured more than thirty port cities in Thailand, Singapore and Malaysia for eight months with Fanny Ha, Chan Mancheong and Chow Lok. As Chaozhou cinema declined she turned to business, still performing occasionally with Xintiancai in Singapore and with local troupes until retiring from the stage in the mid-1980s; she now lives in Hong Kong, and her former husband was the son of Yu Pui-kay, owner of the Thai To Ying film company.

人物小檔 Profile

職業Occupation

演員

年期Active period

1943年–

代表作Notable works

《烈女忠魂》(1961)、《郭子儀賀壽》(1961)、《余美娘》(1963)

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1958

移居香港並加入新天彩潮劇團任旦角

Moved to Hong Kong and joined the Xintiancai Chaozhou Opera Troupe as a dan

1961

以《烈女忠魂》首度參演潮語電影

Made her Chaozhou-film debut in The Selfless Woman General

1964

隨夏帆等赴泰國、新加坡、馬來西亞三十多埠登台八個月

Toured more than thirty ports in Thailand, Singapore and Malaysia for eight months with Fanny Ha and others

影響與傳承 Impact & Legacy

繁體中文

鄭純英由神功戲舞台走到潮語片銀幕,長期為多間製片公司配唱潮曲並飾演戲分吃重的配角,其演出與配音工作,為1950至60年代香港潮語片及潮劇的傳播留下實在的記錄,也反映了當時方言戲曲電影在南洋市場的流通。

English

From deities'-opera stages to Teochew film screens, Cheng long dubbed Chaozhou songs for many production companies and took substantial supporting roles, leaving a concrete record of Hong Kong Teochew cinema and opera in the 1950s-60s and of their circulation in the Nanyang market.

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