文化藝術人物 / Cultural figure

陳列

大字係領域(由已登記職業/領域派生),唔係姓氏。

Chen Lie

1953年–1980年代

領域:藝術家 · 作家與觀點論述者

繁體中文

陳列是活躍於香港廈語片與國語片之間的演員、導演、編劇與製片。他早年曾在廈門演出《日出》、《這不過是春天》、《鴉片戰爭》、《海外英魂》等話劇。早在1953年,他已參演《荔鏡緣》(上集),此後十年片約不斷,共演出超過九十部廈語片,是廈語片最重要的配角演員之一。受外形條件所限,他較多演奸險、勢利的反派角色,例如《孤女淚》(1957)中的無賴劉常,以及《續集新桃花江》(1960)中枉作小人的導演陳文海等。除活躍幕前,他亦參與幕後。首部擔任副導的電影是周詩祿導演的《牛郎織女》(1955);1957年他為陳翼青導演的《藍芳草探監》擔任助導,此後與陳翼青合導二十多部廈語片,其中《桃花鄉》(1957)、《少女十八變》(1958)、《慈母心》(1958)與《續集新桃花江》更由二人合作編劇,並曾為《假鳳虛凰》(1959)等任製片。1959年邵氏兄弟(香港)有限公司成立廈語片組,陳列獲聘為首席策劃顧問,該時期出品的《王哥柳哥》(1959)、《私生女》(1959)、《廈門阿姊》(1959)、《霧夜驚魂》(1960)、《永記我心頭》(1960)、《33號女間諜》(1961)與《返去香港娶水某》(1961)他亦有參演。廈語片其後式微,他曾為邵氏《虹》(1968)任製片;自1974年上映的《慾魔》一片起,他先後為邵氏出品逾六十部電影擔任製片或執行製片,當中大部分是楚原與張徹導演的電影,在幕後見證了邵氏片廠的黃金年代。

English

Chen Lie was an actor, director, screenwriter and production manager in Hong Kong's Amoy-dialect cinema. He began on the stage in Xiamen, appearing in plays such as Sunrise and The Opium War. As early as 1953 he acted in The Romance of Lychee and Mirror, Part One, and over the following decade he appeared in more than ninety Amoy-dialect films, becoming one of the genre's most important supporting actors. Largely because of his build he was typecast as crafty and snobbish villains, such as the rogue Liu Chang in Gu Nu Lei (1957) and the scheming director Chen Wen-hai in Xu Ji Xin Tao Hua Jiang (1960). He also worked behind the camera: his first assistant-director credit was on Zhou Shi-lu's Niu Lang Zhi Nu (1955), and after assisting Chen Yi-qing on Lan Fang Cao Tan Jian (1957) he co-directed more than twenty Amoy-dialect films with him, several of which they also co-wrote, among them Tao Hua Xiang (1957), Shao Nu Shi Ba Bian (1958), Ci Mu Xin (1958) and Xu Ji Xin Tao Hua Jiang; he also produced films such as Jia Feng Xu Huang (1959). When Shaw Brothers (Hong Kong) set up an Amoy-dialect unit in 1959, Chen was hired as its chief planning consultant, and he also acted in its titles of the period, including Wang Ge Liu Ge (1959), Si Sheng Nu (1959), Xia Men A Jie (1959), Wu Ye Jing Hun (1960), Yong Ji Wo Xin Tou (1960), 33 Hao Nu Jian Die (1961) and Fan Qu Xiang Gang Qu Shui Mou (1961). As the genre faded he produced Hong (1968) for Shaw, and from Yu Mo (1974) onward he served as producer or executive producer on more than sixty Shaw films, most of them directed by Chor Yuen or Chang Cheh.

人物小檔 Profile

職業Occupation

演員、導演、編劇、製片

年期Active period

1953年–1980年代

代表作Notable works

《日出》《這不過是春天》《鴉片戰爭》《海外英魂》《荔鏡緣》《孤女淚》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1953

參演電影《荔鏡緣》(上集),此後十年片約不斷。

Appeared in the film The Romance of Lychee and Mirror, Part One, beginning a decade of steady work.

1959

邵氏兄弟成立廈語片組,陳列獲聘為首席策劃顧問。

Was hired as chief planning consultant when Shaw Brothers set up its Amoy-dialect unit.

1974

起為邵氏出品逾六十部電影擔任製片或執行製片。

From this year served as producer or executive producer on more than sixty Shaw films.

影響與傳承 Impact & Legacy

繁體中文

陳列橫跨廈語片與國語片的幕前幕後:他演出逾九十部廈語片,與陳翼青合導二十多部同類作品,並在邵氏廈語片組任首席策劃顧問;廈語片沒落後他轉任邵氏製片,自1974年起為逾六十部邵氏電影任製片或執行製片,長期支援楚原、張徹的製作。

English

Chen worked on both sides of the camera, acting in more than ninety Amoy-dialect films, co-directing over twenty with Chen Yi-qing and serving as chief planning consultant to Shaw's Amoy-dialect unit. After the genre faded he became a Shaw producer, long supporting Chor Yuen's and Chang Cheh's productions.

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