文化藝術人物 / Cultural figure

陳翼青

大字係領域(由已登記職業/領域派生),唔係姓氏。

Chan Yik Ching

1907年–1987年

領域:藝術家 · 作家與觀點論述者

繁體中文

陳翼青原名陳玉書,江蘇揚州人,1907年3月19日於揚州出生,在上海長大。1933年他首次執導,作品為與楊工良合導的《兄弟血》,該片由其兄陳趾青編劇。1935年他在楊小仲介紹下加入新華影業公司擔任副導。1937年他一度離開新華,從事拍攝抗戰紀錄片,1938年再回新華,執導《舞宮血淚》(1938)、《三劍客》(1939)等多部電影,並兼任劇務與製片,成為老闆張善琨的得力助手。1950年他從上海來港,導演《一丈青》(1951)、《近水樓台》(與屠光啟合導,1952)、《一刻春宵》(1952)、《春回人間》(1954)、《斷腸風月》(與屠光啟合導,1956)等多部國語片。五十年代中他開始執導廈語片,數量超過五十部,首部為僑友電影製片公司出品的《泉州姑嫂塔》(1956),其後獲益成影業公司聘為首席導演,拍了《青竹絲奇案》(1956)、《藍芳草探監》(1957)、《蘇秦假不第》(1957)等約十部,期間亦為僑友、僑聯、金都、閩聲等公司拍片,並以1959年產量最高,一年達十九部。他拍攝的廈語片中,有二十多部與陳列合導,其中《桃花鄉》(1957)、《少女十八變》(1957)、《慈母心》(1958)及《續集新桃花江》(1960)更由兩人合作編劇。他亦執導多部潮語片,包括早期的《馮太爺弔月容》(1958),及潮語戲曲片熱潮中的《蘆林會》(1960)、《掃窗會》(1961)、《張古董借妻》(1961)、《長平公主》(1961)、《雙退婚》(1962)、《賣油郎獨佔花魁女》(1962)、《白扇記》(1962)等。1963年他導演中藝影業出品的《余美娘》後淡出潮語片。多年來他共執導九十多部電影,在香港拍攝的約八十部,其中國、廈、潮語片各佔約十、五十、二十部,為香港電影圈多產導演之一。六十年代初潮語片式微後,他加入邵氏兄弟(香港)有限公司任劇務主任,直至七十年代中退休。1987年4月5日他在香港病逝。

English

Chan Yik-ching was born Chan Yuk-shu in Yangzhou, Jiangsu, on 19 March 1907 and grew up in Shanghai. He made his directing debut in 1933 with a picture co-directed with Yang Kung-leung, scripted by his elder brother Chan Chi-ching. In 1935, introduced by Yang Xiaozhong, he joined Hsin Hwa Film Company as an assistant director; he left briefly in 1937 to make wartime documentary films, then returned to direct such pictures as Bloody Tears in the Dancing Hall (1938) and Three Swordsmen (1939), also serving as unit and production manager and becoming a trusted aide to the studio head Zhang Shankun. Moving from Shanghai to Hong Kong in 1950, he directed many Mandarin films, including A Staff of Green (1951), a 1952 film co-directed with Tu Guangqi, and Spring Returns to the World (1954). From the mid-1950s he turned to Amoy-dialect cinema, directing more than fifty such films, beginning with Quanzhou's Sisters-in-Law Tower (1956) for Kiu Yau, and was hired as chief director by Yick Shing, for which he made around ten titles; he also made films for several other companies and reached his peak output in 1959 with nineteen titles in a single year. More than twenty of his Amoy films were co-directed with Chan Lit. He also directed many Chaozhou-dialect films, from the early Feng the Magistrate Mourns Yue Rong (1958) to opera films such as Lo Lam Wui (1960), Sweeping the Window (1961) and The White Fan (1962). After directing Yu Mei Niang in 1963 he withdrew from Chaozhou cinema. In all he directed more than ninety films, about eighty of them made in Hong Kong, making him one of the territory's most prolific directors. As Chaozhou films faded in the early 1960s he joined Shaw Brothers as studio manager, retiring in the mid-1970s. He died in Hong Kong on 5 April 1987.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1907年–1987年

代表作Notable works

《兄弟血》《舞宮血淚》《三劍客》《一丈青》《近水樓台》《一刻春宵》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1933

首次執導,與楊工良合導《兄弟血》。

Made his directing debut, co-directing Brothers' Blood with Yang Kung-leung.

1956

執導首部廈語片《泉州姑嫂塔》。

Directed his first Amoy-dialect film, Quanzhou's Sisters-in-Law Tower.

1963

執導《余美娘》後淡出潮語片,其後加入邵氏任劇務主任。

After directing Yu Mei Niang he left Chaozhou cinema and later joined Shaw Brothers as studio manager.

影響與傳承 Impact & Legacy

繁體中文

陳翼青在香港拍攝約八十部電影,其中廈語片與潮語片佔絕大多數,是1950至60年代香港方言電影工業的主要生產者;他為益成、萬聲等公司拍片,把潮劇與廈語戲曲大量搬上銀幕,為後來幾近失傳的方言片留存了可觀的片目與影像。

English

About eighty of Chan Yik-ching's films were made in Hong Kong, the great majority of them Amoy- and Chaozhou-dialect pictures, making him a mainstay of the territory's dialect-film industry in the 1950s and 1960s. Working for studios such as Yick Shing and Man Sing, he transferred a great deal of Chaozhou and Amoy opera to the screen, leaving a substantial record of a nearly vanished branch of Hong Kong cinema.

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