文化藝術人物 / Cultural figure

陳雲

大字係領域(由已登記職業/領域派生),唔係姓氏。

Chan Wan

1921年–2009年

領域:藝術家 · 作家與觀點論述者

繁體中文

陳雲原名陳魯文,另有柳長青、余河、秦晚濤等藝名,與妻子魏少芝合用筆名「魏敏」。1921年生於香港,1942年初逃難至內地,1946年由廣州返港,最初兩年從事教育工作。1948年佢因參與話劇活動結識藍菲、吳天池等影人,經引介當上特約演員;1950年重遇小學老師、已成名導演嘅李晨風,通過「編劇試」後拜入其門下學寫劇本,正式踏入電影圈。師事李晨風期間,佢為師傅編寫劇本初稿,包括《恩情深似海》(1952),亦為《大地》(1954)、《寒夜》(1955)、《春殘夢斷》(1955)、《斷鴻零雁記》(1955)等擔任助導及初稿編寫。其後佢喺邵氏父子有限公司粵語片組任編劇多年,首作為周詩祿導演嘅《酒店情殺案》(1958)。1959年佢首次執導,拍林鳳主演嘅《玉女追蹤》,自此亦編亦導。1960年佢為邵氏編導《溫暖在人間》後轉投光藝製片公司,先任編劇,1962年編導得意之作《嫂夫人》;1965年為林鳳主演嘅青春片《紅男綠女》編劇,並執導賣座嘅《公子多情》。1966年佢加入志聯公司,同年編導陳寶珠、蕭芳芳合演嘅《彩色青春》,叫好叫座,其後陸續編導《孝女珠珠》(1966)、《金色聖誕夜》(1967)、《浪子佳人》(1968)及《飛男飛女》(1969)等青春片。佢嘅青春片多起用陳寶珠、蕭芳芳、薛家燕等偶像,配以歌舞同校園橋段,成為六十年代中期粵語片嘅一股潮流。1970年佢應左几邀請轉往麗的電視任編劇,1985年退休,2009年喺香港逝世。

English

Chan Wan, whose original name was Chan Lo-man and who also used the pen names Lau Cheung-ching, Yu Ho and Chun Man-to, besides the joint pseudonym 'Wei Man' with his wife Ngai Siu-chi, was born in Hong Kong in 1921. In early 1942 he fled to the mainland and returned to Hong Kong from Guangzhou in 1946, spending his first two years teaching. In 1948, through amateur stage work, he met film people including Lan Fei and Ng Tin-chi, who introduced him to extra work; in 1950 he was reunited with his primary-school teacher Lee Sun-fung, by then an established director, and after passing a screenwriting test became his disciple and entered the film industry. Under Lee he drafted scripts including Deep as the Sea (1952), and served as assistant director and first-draft writer on The Earth (1954), Cold Nights (1955) and The Lonely Swan (1955). He then spent years as a screenwriter in the Cantonese unit of Shaw and Sons, debuting with Chow Sze-luk's Murder in a Hotel (1958). He directed his first film, A Girl in Pursuit (1959), starring Lin Fung, and thereafter both wrote and directed. After making Warmth in the World for Shaw he joined Kong Ngee, where he wrote and directed his admired Sister-in-law (1962); he scripted the Lin Fung youth picture Red Male, Green Female in 1965 and directed the hit Pretty Boy. In 1966 he joined Chi Luen and made the hit youth picture Colourful Youth with Connie Chan and Josephine Siao, followed by a string of popular youth films through to 1969, most of them built around young idols and song-and-dance set pieces. In 1970 he moved to RTV as a writer at Chor Kei's invitation, retired in 1985 and died in Hong Kong in 2009.

人物小檔 Profile

職業Occupation

導演、編劇

年期Active period

1921年–2009年

代表作Notable works

《恩情深似海》《大地》《酒店情殺案》《玉女追蹤》《彩色青春》《公子多情》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1952

拜李晨風為師後為其編寫劇本初稿《恩情深似海》

As Lee Sun-fung's disciple, drafted the screenplay Deep as the Sea

1959

首次執導,拍攝林鳳主演的《玉女追蹤》

Directed his first film, A Girl in Pursuit, starring Lin Fung

1966

加入志聯公司,編導陳寶珠、蕭芳芳合演的青春片《彩色青春》

Joined Chi Luen and wrote and directed the hit youth film Colourful Youth with Connie Chan and Josephine Siao

影響與傳承 Impact & Legacy

繁體中文

陳雲由編劇學徒出身,1960年代主攻青春片,把陳寶珠、蕭芳芳等青春偶像推上銀幕,《彩色青春》《公子多情》等接連賣座,塑造了本地粵語青春片嘅面貌。佢亦係邵氏粵語片組與光藝之間嘅重要創作人,見證咗粵語片由文藝走向青春歌舞嘅轉向。

English

Trained as an apprentice screenwriter, Chan Wan concentrated on youth films in the 1960s, putting young idols such as Connie Chan and Josephine Siao on screen; hits like Colourful Youth and Pretty Boy shaped the look of Cantonese youth cinema. He was also a key creative figure bridging Shaw and Sons' Cantonese unit and Kong Ngee, witnessing the shift of Cantonese film from literary drama towards youth musicals.

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