文化藝術人物 / Cultural figure

陳翹英

大字係領域(由已登記職業/領域派生),唔係姓氏。

Chan Kiu Ying

1951年–

領域:作家與觀點論述者

繁體中文

年輕時已關心社會議題,認識岑建勳後,一同加入《70年代》雙周刊。中學畢業後,曾喺珠海學院新聞系修課兩年,因醉心電影,隻身赴法國遊學一年多,期間觀賞咗不少藝術影片。回港後,任職《銀色世界》雜誌編輯,1977年考進電視廣播有限公司(無綫電視,TVB)出任編劇,先喺綜藝節目《歡樂今宵》接受創作磨練,兩年後調往戲劇組,當上長篇連續劇《奮鬥》(1978)嘅劇本編訂,後出任《上海灘》(1980)嘅劇本審閱,參考無名氏筆下嘅小說人物印蒂,塑造許文強一角,劇集紅遍海內外華人社區。其後負責《楚留香》(1979)、《過客》(1981)、《射鵰英雄傳》(1983)等嘅劇本審閱,並晉升至創作部管理層。任職電視台時已參與合編新浪潮影片嘅劇本,包括章國明嘅《點指兵兵》(1979)、卓伯棠嘅《煲車》(1981)同于仁泰嘅《巡城馬》(1982),又編寫咗《大鱷》(1982)、《花劫》(1982)同《百厭妹》(1983)嘅劇本。1985年應岑建勳邀請加盟德寶電影公司,出任創作部經理,帶領編劇團隊製訂劇本,主責大型嘅商業製作,包括《聖誕奇遇結良緣》(1985)、《皇家師姐》(1985)、《皇家戰士》(1986)同《中華戰士》(1987),又合編《奪寶計上計》(1986)、《歡樂5人組》(1987)同編寫了《情義心》(1988),都曾為公司辦編劇訓練班培育新血。1987年離開德寶後影視兩棲,曾編寫《江湖正將》(1987)、《血洗洪花亭》(1990)同《魔畫情》(1991),又合編咗《虎穴奇兵》(1988)、《廉政第一擊》(1993)等。其後參與編寫陳木勝執導《特警新人類2》(2000)嘅劇本,二人繼而合組Monster Pictures Entertainment Co. Ltd.,攝製咗由佢同莊文強合編嘅《願望樹》(2001),惟票房欠佳,隨後公司結束。歷年持續參與電視製作,八十年代末加盟亞洲電視任戲劇組創作經理,曾推出《勝者為王》(1991)、《精武門》(1995)等話題作。2002年起參與內地電視劇製作,前後約十年。2019年,由佢監製並編審嘅《理想國》喺ViuTV播映,其後再以自由身形式為TVB創作連續劇。1993至97年,曾任兩屆香港電影編劇家協會副會長(學術發展),2016年起連續擔任兩屆「編劇大師接班人」活動嘅導師,並曾喺《明報周刊》等報刊撰寫專欄。

English

Interested in social issues in his youth, Chan Kiu Ying joined the weekly The Seventies with John Sham, studied journalism at Chu Hai College for two years and then spent more than a year travelling and studying in France, watching many art films. Back in Hong Kong he edited the magazine Silver Screen and in 1977 joined TVB as a scriptwriter, first honing his craft on the variety show Enjoy Yourself Tonight before moving to drama, where he scripted the long serial Conflict (1978) and became script editor of The Bund (1980), reportedly shaping the character Hui Man-keung after the novelist Wu Ming-shi's figure Yindi. He was script editor for Chor Lau-heung (1979), The Passenger (1981) and The Legend of the Condor Heroes (1983), rising into management, while also co-writing New Wave screenplays such as Cops and Robbers (1979) and features including The Crocodile (1982). In 1985 John Sham recruited him to D&B Film as creative manager, and he oversaw major productions such as Twinkle Twinkle Lucky Star (1985) and Yes, Madam (1985). He later wrote for Asia Television and the mainland, produced and script-edited ViuTV's The Republic (2019), and served two terms as vice-chairman of the Hong Kong Screenwriters' Guild.

人物小檔 Profile

職業Occupation

編劇

年期Active period

1951年–

代表作Notable works

《70年代》《銀色世界》《歡樂今宵》《奮鬥》《上海灘》《楚留香》

資料整理日期 / Compiled: 2026-10-14

主要成就 Key Achievements

1977

考進無綫電視任編劇,先喺綜藝節目《歡樂今宵》接受創作磨練。

Joined TVB as a scriptwriter, first training on the variety show Enjoy Yourself Tonight.

1980

出任《上海灘》劇本審閱,參考無名氏小說人物印蒂塑造許文強一角。

Served as script editor on The Bund, shaping the character Hui Man-keung after the novelist Wu Ming-shi's figure Yindi.

1985

應岑建勳邀請加盟德寶電影公司,出任創作部經理。

Joined D&B Film as creative manager at John Sham's invitation.

影響與傳承 Impact & Legacy

繁體中文

陳翹英由電視編劇做到電影創作部經理,參與《上海灘》《射鵰英雄傳》等劇嘅劇本審閱,係八十年代香港劇集黃金期嘅重要編劇之一。佢其後穿梭影視同內地製作,並長期培育後輩編劇,橫跨無綫、亞視同ViuTV多個平台。

English

From television scriptwriter to film creative manager, Chan Kiu Ying was script editor on such landmark series as The Bund and The Legend of the Condor Heroes, a key writer of Hong Kong television's 1980s golden age. He later moved between film, television and mainland production and long mentored younger writers, working across TVB, ATV and ViuTV.

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